By Karawynn Long Note: This post does not, and is not intended to, constitute legal advice; instead, all information, content, […]
By AJ Cunder As writers, we’ve all been there: Submittable, Moksha, a proprietary submission system, or even just a submission
by Nilah Magruder Note: This article first appeared in The Bulletin #216 in October 2021. I am a cartoonist. I
by Khaalidah Muhammad-Ali Note: This article first appeared in The Bulletin #216 in October 2021. An editor does more than
by Sabrina Vourvoulias First, a quick quiz: Did you read the headline, and automatically compile a mental checklist of
by Benjamin C. Kinney Rejection letters are an inescapable part of the writing life, especially for authors of short
by Matthew Broberg-Moffitt Part 1 of this series focused on the importance of #OwnVoices stories and the representation of neurodiversity
by Alice Speilburg Nearly every summer, I bring on an intern for the agency, and each week we cover a
by Karintha Parker (This article originally appeared in The SFWA Bulletin #215.) Like so many others connected to this [small-yet-all-consuming]
by Evan Winter (This article originally appeared in The SFWA Bulletin #215.) Not long ago, I was asked where traditional
by Cameron N. Coulter
Since March 2018, I’ve been writing a monthly short fiction review column for Skiffy and Fanty. A year ago, I didn’t have too many thoughts on reviewing, but now I find I can have long conversations about it.
The SFWA Contracts Committee believes there are serious problems for writers with the non-compete and option clauses in many science fiction and fantasy publishers’ contracts. The non-compete language in these contracts often overreaches and limits authors’ career options in unacceptable ways.
