Self-promotion: a subject much on many writers’ minds. All across the Internet, new authors are urged to be proactive in publicizing themselves and their books–to build a “brand.” But what to do? And how much?
A frequent question, especially among self- and small press-published authors, is how books get into libraries, and what authors can do to help. Today, guest blogger and public librarian Abigail Goben explains how libraries choose the books they purchase–and what authors should (and shouldn’t) do to play a part in that process.
What’s the average advance for a first novel? How long does it take the typical first novel to sell? Do most first novelists sell their books on their own, or through an agent? Will publishers and agents consider first novelists who don’t have any short fiction publication credits?
Article by Chuck Rothman on (almost) everything you need to know about agents, including how to avoid scams.
Interstellar space travel. We dream about it. We write about it. Science fiction writers have come up with all manners of interstellar travel, ranging from multigenerational arks, to wormhole generating warp drives that can spit you across the galaxy in a blink of an eye. As wondrous and amazing as all these approaches may be, most suffer from a very fundamental problem.
As an author, it’s important for you to know how to sell and market your book. Because there is no shortage of books and articles on the subject, I’d like to tackle the subject of marketing your book from a more metaphorical approach. (If you’ve ever heard me speak, you should know I’m pretty big on metaphors to help you better understand topics in a different way.) In your case, I feel that it’s not only important to understand how to sell, but also understand a little bit more about a typical sales cycle.
Imagine you’re a new writer. You’ve just completed your first manuscript, and are on fire to get it published. You
There are few things that can destroy a good story faster than a bad reading. At the same time, a really good reading can make an audience excited and drive sales. Short of a background in theater, how can authors improve their reading skills?
A Massachusetts Superior Court judge has awarded costs and attorneys’ fees to Ann Crispin and Victoria Strauss, the principal operators of the Writer Beware website, soundly rejecting a frivolous lawsuit filed by a purported literary agent.
Today the board of directors of SFWA unanimously voted to add Apex Magazine to the list of SFWA qualifying markets. When Apex moved online in June of 2008, one of editor Jason Sizemore’s reasons was to be able to pay his authors SFWA pro-rates and to get them a wider audience.
