GIFCON seeks Papers & Creative Works
Glasgow International Fantasy Conversations (www.gifcon.org) has issued an invitation to authors and artists to submit papers and creative works.
Glasgow International Fantasy Conversations (www.gifcon.org) has issued an invitation to authors and artists to submit papers and creative works.
If you’re an author or publisher, price promotions are a powerful way to reach new readers and sell books.
How powerful? In 2015, price promotions on BookBub alone drove sales of over 20 million ebooks — and over 200 of the books with promotions featured on BookBub made it to The New York Times bestseller list.
In this post, we’ll explain how science fiction and fantasy authors and publishers can tap into some of that power and use price promotions to accomplish multiple book marketing goals.
by Dan Koboldt
In some ways, publishing is a zero-sum game. There are only so many slots in the schedule of traditional publishers. Only ten books can occupy the top ten list, and only one can win the Hugo. Yet the most dangerous and pervasive threat to the aspiring author is not another author, nor is it a big bad publisher. Nor is it a certain online store. No, the biggest threat is the ever-shrinking reading time the average person has in our modern world.
What are the ways SFWA can help a member promote their book?
by Luna Lindsey
A lot of authors hate writing “bios.” We can crank out a 100,000 word novel no problem, but a 100 word bio for the back cover? Terrifying.
by Amy Sundberg
When giving advice on writing blog posts, James Altucher says, “Bleed in the first line.” He talks about blog writing and bleeding a fair amount, actually, so I always think about bleeding when I write blog posts now. But what does that mean, bleeding on the page, and what is the correct way to do it?
It’s awards season. It comes around every year, and every year authors wonder whether they should put their work out for consideration.
This can be a scary thing.
The judges for the 2015 World Fantasy Awards, for work published in 2014, have now been empanelled. The judges read
by Caren Gussoff
We’re on the front lines of the changing publishing industry, and for all the insecurities that encompasses, we have a growing number of tools that help reach out and sell directly to fans. Of these tools, perhaps the one most successful has been the online crowd funding platforms.
by John Scalzi
When I’m out and about and recount my tour adventures to people (I can reel off my itinerary just about in my sleep at this point), the question often arises about whether all this touring is actually still useful and/or desirable in an age where so many people get their books electronically, and when one (or at least, one like me) can show up to a comic con, at which between 20k and 50k people will show up in one place, where you also happen to be.
by William Ledbetter
The email was short and straightforward. I identified myself as a science fiction writer who was curious about one aspect of their paper.
by Caren Gussoff
I wanted to find services that acted like Google Alerts did in its healthy heyday: rounding up every mention across the web, without guessing that mention’s possible relevance, and sending to me on a regular basis.