by Scott King Writing book descriptions sucks, but it doesn’t have to be hard. If you can write a whole dang novel, you have it in you to write a quick, simple description for a back cover, a pitch, or online stores. Book descriptions are a marketing tool to sell your books and establish reader […]
Welcome to the August edition of the SFWA Market Report. Please note: Inclusion of any venue in this report does not indicate an official endorsement by SFWA. Those included on this list pay at least $0.08/word USD in at least one category of fiction. This compilation is not exhaustive of all publication opportunities that pay our […]
By Ursula Whitcher My first fictional love was tabletop role-playing games, from Dungeons & Dragons and ’90s classics like Vampire: The Masquerade to indie hits such as Visigoths vs. Mall Goths. After all that gaming, I thought I knew how to tell stories. But when I began trying to write and sell short fiction, I […]
By Gareth L. Powell In 2020, I had the privilege of cowriting a science fiction novella called Light Chaser with Peter F. Hamilton, author of more than twenty novels, including The Reality Dysfunction, Pandora’s Star, and Salvation. If I had to break down the lessons I learned during this process into five key points, they […]
by the SFWA Safety Committee As social media becomes increasingly fractured, more authors are turning toward newsletters as a reliable form of direct marketing. Mailing lists are an invaluable way to keep in touch with readers who actively want to hear more about your work. They can also raise questions about how to properly set […]
by Jeremy Zentner Space operas often incorporate creative monarchy systems as part of their planet-spanning worldbuilding. And why not? Readers love a good monarchy! But there’s no reason not to be as creative with your royalty structure as you are with the rest of your story. Read on for some worldbuilding tips reflecting the ways […]
(Kind of like the Star Trek Experience—lots of diversity that some accept, some fight, and others never see) by Elle Ire Continuing Mission Our exploration of the experiences of various members within the LGBTQ+ spec fic community continues in this blog post. Please see Part 1 for an introduction to the series, disclaimers, and […]
Welcome to the July edition of the SFWA Market Report. Please note: Inclusion of any venue in this report does not indicate an official endorsement by SFWA. Those included on this list pay at least $0.08/word USD in at least one category of fiction. This compilation is not exhaustive of all publication opportunities that pay our […]
By Karawynn Long Note: This post does not, and is not intended to, constitute legal advice; instead, all information, content, and advice is intended for general informational purposes only. You’ve written a piece of short fiction, submitted it, and gotten that thrilling acceptance letter. Congratulations! But wait—you aren’t finished yet. As a rule, the boilerplate […]
Nick Wood (1961–June 2023) was an author dedicated to writing science fiction for social change and promoting the visibility of science fiction written by Africans. Born in what is now Zambia, he also lived in the United States and Aotearoa New Zealand before taking residence in England. Wood was raised in and considered South Africa […]
A millennium ago, Mikael tried to confess his love to Adecca and trapped them in eternal sleep instead. Now Adecca wakes in a steam-powered future bereft of magic and must discover why—and what Mikael’s feelings mean for their friendship.
Debbie Urbanski is the author of the story collection Portalmania (S&S, May 2025) and the climate AI novel After World (S&S, 2023), which was a Los Angeles Times, San Francisco Chronicle, Engadget, Strange Horizons, & Booklist Best Book of the Year.
