by Jeff Reynolds
When I was eight, I wrote my first short story. It was bad, as the writing of an eight-year-old tends to be, full of tropes and endless misspellings. It long ago disappeared into the trash bin of my personal history. But my teacher gave me an A on the work, and I was hooked.
Welcome to the November edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA.
by Sarah Kozloff
We’re supposed to read widely, exposing ourselves to new genres to spark our imagination. By the same token, shouldn’t we expand our viewing experiences?
Recently, SFWA’s Contracts Committee was made aware of a situation in which a well-liked publisher canceled the publication of a
News from The Odyssey Writing Workshops Charitable Trust: Odyssey has been a pioneer and innovator in holding live online classes
by Victoria Zelvin
Space is often called the final frontier for humanity, but we have explored more of space than we have our own oceans. According to the National Oceanic and Atmospheric Administration, more than eighty percent of the ocean is unmapped, unobserved, and unexplored.
James Beamon has agreed to serve the remainder of Andy Duncan’s term as Director-at-Large.
by Nathan Nance,
So you’re writing SFF, and you’ve got spaceships to design. Engine systems to map. A haunted forest to populate. A talking badger to draw. If you’re not a rocket scientist writing hard sci-fi, how are you supposed to make your version of James S.A. Corey’s Rocinante, you know, fly?
by Dan Brotzel
Genuine idea theft and plagiarism are complete no-nos, of course. But I’m amazed how protective writers of stories, articles and posts can be about ideas that aren’t really worth stealing. Here are a few thoughts on ideation and originality…
by Filip Wiltgren
Climate crisis, economic imparity, obesity, totalitarianism, re-nuclearization. The list is long, but there is a solution right around the corner.
It’s called the Holodeck.
