Space Royals in Space Operas: How to Craft a Believable Monarchy
by Jeremy Zentner Space operas often incorporate creative monarchy systems as part of their planet-spanning worldbuilding. And why not? Readers […]
by Jeremy Zentner Space operas often incorporate creative monarchy systems as part of their planet-spanning worldbuilding. And why not? Readers […]
by M.K. Hutchins Soft magic has been with us since humans had stories: it’s in our fairytales, our folklore, and
by Jason P. Burnham Climate change is the top public health emergency of the twenty-first century. Naturally, you may be
by Gideon P. Smith Getting the science right in SF can make the difference between writing cute stories and great
by Andrew K Hoe In our previous post, we examined how battling robots and aliens utilize armaments. Today, we’ll detail
by Jendia Gammon Worldbuilding takes many forms in genre fiction. Whether a story takes place on another planet, in a
by Gabriel Ertsgaard From Hector and Achilles to Luke Skywalker and Darth Vader, the heroic duel is a fiction staple.
by Andrew Hoe Human martial arts styles are biased: they’re specifically designed to fight other humans. Of course, watching Neo
by Melanie Ashford Choosing to include characters with disabilities in your speculative fiction is an excellent thing to do, but
by Arkady Martine Editor’s note: This article originally appeared in The SFWA Bulletin #215. On the dining-room table which has
by Tochi Onyebuchi Editor’s note: This article originally appeared in The SFWA Bulletin #215. What about the serial killers? What
by Amelia Wiens
One of the best parts of science fiction and fantasy is the worldbuilding. A key part of creating interesting worlds is creating diverse cultures that vary in some way from our own norms. That being said, it can be so hard to get out of our own culture’s point of view and redefine elements that we unconsciously take for granted.