Of the many issues highlighted by the recent launch of pay-to-publish divisions by two major commercial publishers (Harlequin Enterprises’ DellArte Press–nee Harlequin Horizons–and Thomas Nelson’s West Bow Press), one of the most interesting, to me, is how blurred the distinction between self-publishing and vanity publishing has become.
Posted by Victoria Strauss for Writer Beware True to its promise, Harlequin has ditched the Harlequin Horizons name. It’s now DellArte Press.
…heeeeere’s Tweetbookz!
Tweetbookz will turn your tweets–those 140-character electronic messages about what you had for breakfast this morning or maybe something more interesting or important, but either way, quickly written and just as quickly forgotten–into Real Paper Books. That’s right. Your evanescent 140-character pearls of prose (or not) can be enshrined for the ages in softcover or hardcover.
Last week, RWA, MWA, and SFWA all issued official statements condemning Harlequin Enterprises’ new self-publishing division, Harlequin Horizons. Now Novelists Inc. has weighed in, with a position statement on vanity publishing and the risks that arise when brand name publishers add vanity publishing divisions.
Posted by Victoria Strauss for Writer Beware SFWA has joined RWA and MWA in issuing a statement about Harlequin Horizons. ————- In November, 2009, Harlequin Enterprises, Ltd. announced the launch of a new imprint, Harlequin Horizons, for aspiring romance authors. Under normal circumstances, the addition of a new imprint by a major house would be […]
Today, Mystery Writers of America (a sponsor of Writer Beware, along with the Science Fiction and Fantasy Writers of America) issued this announcement to its members:
Writer Beware’s Victoria Strauss analyzes Harlequin Horizons and the trouble it presents for authors.
Posted by Victoria Strauss for Writer Beware
Deep question number one: Why has the launch of Harlequin Horizons provoked such a gigantic firestorm of indignation, when the launch of West Bow Press (which is exactly the same sort of venture, except way more expensive and with a referral fee scheme thrown in) not only didn’t cause a big outcry, but received some fairly positive mentions from industry professionals?
I have my own theories, but I’m interested in what others think.
Deep question number two: Is Thomas Nelson RWA-eligible? If so, why hasn’t RWA repudiated it as well?
Yesterday, PW reported on the launch of AgentInbox, a new service from collaborative writing website WEbook.
“AgentInbox is a service that connects publication-ready authors with reputable, vetted literary agents,” says the service’s FAQ for writers. Writers enter their book’s “vital stats,” including title, genre, query letter, and all or part of the manuscript (there are several tutorials to help with the polishing process). They can then check AgentInbox’s roster of participating agents and choose which ones they’d like their submission to go to. WEbook staff pre-screens submissions, then forwards them on to the agents chosen.
On Friday, Google, the Association of American Publishers, and the Authors Guild filed a revised version of the Google Book Search Settlement. It’s now up to Judge Denny Chin to set dates for a notice period, an objection hearing, and the final Fairness Hearing.
Minuscule Truths holds ten beguiling tales of science fiction and fantasy. It offers a treasure of storytelling, with yarns from the likes of Analog Science Fiction and Fact, Crossed Genres’ Fierce Family, Robot Cowgirl’s Alien Abduction, and others.
Daniel Marcus has published stories in many genre venues. He is the author of the collection, Binding Energy, and the novels Burn Rate and A Crack in Everything. Daniel was a Campbell finalist and is on the SFF faculty at Gotham Writers’ Workshop.
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