There is a recent tendency of some publishers to change their contracts in manners that are decidedly unfavorable to authors. We have had and are having particular issues with indemnity clauses. Griefcom urges all of you to compare any offered contract to the SFWA Model Contract and to ask for changes in any clauses that are non-beneficial to you.
As fiction writers, we talk a lot about humor. We talk about what’s funny. We talk about what isn’t. We talk about appropriate moments for humor, the types of audience best suited to it, and the consequences of attempted humor gone horribly wrong.
How do you ask for a blurb without making a nuisance of yourself? You do your research. Many professional authors have “blurb and review” policies in place on their websites, mostly out of self-defense.
by Kate Heartfield In the late 1990s and early 2000s, I was a dabbler in short fiction. I wrote about one story each year. I’d send that story out once, maybe twice if I felt cocky, and then I’d trunk it, figuring that a rejection or two meant a story was no good. Somehow, despite this method […]
by Aidan Doyle
The Pomodoro Technique is a popular time management system that has helped improve my writing productivity. The technique was developed by Francesco Cirillo and basically involves setting a timer for 25 minutes and focusing on a single task.
It’s awards season. It comes around every year, and every year authors wonder whether they should put their work out for consideration.
This can be a scary thing.
by Randy Henderson
Happy New Year!
Rather than share events from my past year, I thought I’d offer a bit of encouragement and advice to help with the coming year. While this is aimed primarily at my fellow writers, it also, I think, can be applied to life in general.
by Nancy Fulda
If you write stories, this has probably happened to you:
The words are flowing. The plot is exciting. Your characters, faced with overwhelming odds, find themselves in the midst of a difficult and absolutely enthralling situation. It’s the Big, Dramatic Moment of your story – and you have no idea what happens next. The bad guys are too strong, the social pressures are too powerful, the pit is too deep, or your character is too broken. Try as you might, you can’t think of a single way to get your protagonist out of the current crisis.
by Jason Sanford
This has been a tough writing year for me. I finished my first novel only to learn that at this point in my writing career it’s going to be a hard sell. I’ve struggled with short fiction, publishing only two stories this year. I’ve even wondered why I’m writing stories in the first place (which probably ties back with the issues I’ve had with the novel and short fiction). All of this caused me to step back and reflect on my writing career up to this point. And I’ve realized I’ve made just about every mistake an author can make, career-wise.
by Deborah Walker
I’ve written a fair few aliens since reading it, always thinking about that advice, but with an added aspect: stealing blatantly from Mother Nature.
A millennium ago, Mikael tried to confess his love to Adecca and trapped them in eternal sleep instead. Now Adecca wakes in a steam-powered future bereft of magic and must discover why—and what Mikael’s feelings mean for their friendship.
Martin Cahill has published short fiction in numerous venues and currently works at Erewhon Books, lives just outside New York City. Visit him on the web at https://martintcahill.wordpress.com/.
