by Russell Galen
Have an agent. If you feel you don’t need one, find another human being to whom you have no emotional attachments, who knows a lot about the IP business, will tell you the truth, will be a sounding board for your literary and business questions, and will speak to the buyers of your work so that you can keep some distance from them.
by K. Tempest Bradford
I use the Diigo Outliner, a versatile online tool that I recommend to teachers and writers who want to arrange collections of links and text in an easy to scan and understand way.
by Aidan Doyle
Text expansion tools are a way to save time by using shortcuts for text you commonly type. For example, on my computer I type -em and it’s automatically replaced by my email address. When submitting short stories I have a standard cover letter template. I type -pubs and modify the template according to the market. If you’re an editor sending many similar emails, text expansion tools can save you a lot of time.
by Kate Heartfield
A few distinct kinds of reading come with the job of being a writer: research, market research, reading for awards ballots and contest juries, reading for sheer pleasure.
And then there’s beta reading or critiquing.
by Leo Babauta
I’m not always a fan of deadlines and goals, but it’s good to be able to use whatever works best for you. If you’re working great without deadlines and goals, then by all means, keep going. But if you’re struggling to push a project forward (or a learning project like language lessons), then you might try a self-imposed deadline.
by Curtis C. Chen
Okay. You wrote a novel. That was the easy part.
Now you need to write a synopsis.
by Theodora Goss
I keep reading blog posts that basically all make the same point: anyone can find time to write. You’ve probably read them too. The message is, if you want to be a writer, you can find the time. Get up early and write before work. Write on your lunch break. Write on your commute home. Write after everyone else is asleep. If you can write even a hundred words a day, eventually you’ll have a novel.
It’s not a bad message, but it’s aimed toward aspiring writers. And aspiring writers, I would argue, are very different from working writers, who are different, again, from professional writers.
by Jeffe Kennedy
Mystery readers expect to find out who done it. Suspense readers expect the big bad to be stopped. Romance readers want the romance to end with promise.
In previous posts, SFWA’s own “Tax Czarina” discussed some basic tax issues writers face, bartering, and the 1099 Misc. form. This week’s post focuses on how the IRS differentiates hobbies from businesses.
by Sylvia Spruck Wrigley
The popular advice for writers is to write your first draft for just one person and then to revise for the world. Your voice, they say, should be personal and true and deep but the story itself must have mass-market appeal. This is a rainbow I chased for a long time. Lately, though, I’m starting to question the simple assumption that success is measured by the number of readers.
In these tales you’ll find heart-pounding excitement, deadly perils, baffling perplexities, complex conundrums, dread mysteries, deceptive hallucinations, fantasy landscapes, far planets, distant futures, evil menaces, and unlikely heroes.
Oghenechovwe Donald Ekpeki is an African speculative fiction writer, editor and publisher from Nigeria. He has win the Nebula, WFA, Locus, Otherwise, BFA, Nommo, etc awards & been a finalist in the Hugo, BSFA, Sturgeon, NAACP Image award.
