by Aidan Doyle
Text expansion tools are a way to save time by using shortcuts for text you commonly type. For example, on my computer I type -em and it’s automatically replaced by my email address. When submitting short stories I have a standard cover letter template. I type -pubs and modify the template according to the market. If you’re an editor sending many similar emails, text expansion tools can save you a lot of time.
by Kate Heartfield
A few distinct kinds of reading come with the job of being a writer: research, market research, reading for awards ballots and contest juries, reading for sheer pleasure.
And then there’s beta reading or critiquing.
by Leo Babauta
I’m not always a fan of deadlines and goals, but it’s good to be able to use whatever works best for you. If you’re working great without deadlines and goals, then by all means, keep going. But if you’re struggling to push a project forward (or a learning project like language lessons), then you might try a self-imposed deadline.
by Curtis C. Chen
Okay. You wrote a novel. That was the easy part.
Now you need to write a synopsis.
by Theodora Goss
I keep reading blog posts that basically all make the same point: anyone can find time to write. You’ve probably read them too. The message is, if you want to be a writer, you can find the time. Get up early and write before work. Write on your lunch break. Write on your commute home. Write after everyone else is asleep. If you can write even a hundred words a day, eventually you’ll have a novel.
It’s not a bad message, but it’s aimed toward aspiring writers. And aspiring writers, I would argue, are very different from working writers, who are different, again, from professional writers.
by Jeffe Kennedy
Mystery readers expect to find out who done it. Suspense readers expect the big bad to be stopped. Romance readers want the romance to end with promise.
In previous posts, SFWA’s own “Tax Czarina” discussed some basic tax issues writers face, bartering, and the 1099 Misc. form. This week’s post focuses on how the IRS differentiates hobbies from businesses.
by Sylvia Spruck Wrigley
The popular advice for writers is to write your first draft for just one person and then to revise for the world. Your voice, they say, should be personal and true and deep but the story itself must have mass-market appeal. This is a rainbow I chased for a long time. Lately, though, I’m starting to question the simple assumption that success is measured by the number of readers.
So far, SFWA’s own “Tax Czarina” has discussed basic tax issues writers face and questions about bartering. This week, she focuses on questions regarding Form 1099 MISC. Q: Did I miss the deadline for Form 1099-MISC? What should I do? A: The deadline for delivering Form 1099-MISC was February 1. So you may have missed that deadline. The deadline for filing […]
by Dan Koboldt
In some ways, publishing is a zero-sum game. There are only so many slots in the schedule of traditional publishers. Only ten books can occupy the top ten list, and only one can win the Hugo. Yet the most dangerous and pervasive threat to the aspiring author is not another author, nor is it a big bad publisher. Nor is it a certain online store. No, the biggest threat is the ever-shrinking reading time the average person has in our modern world.
Jane Yolen brings you passionate treasures and delirious transformations. This bewitching assemblage, with an original introduction from Brandon Sanderson, is an ideal read for anyone who appreciates witty compelling, and classic romantic fantasy.
Eugen Bacon is an African Australian author of several novels and collections. A 2022 World Fantasy Award finalist, she was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’.
