by Caren Gussoff Note: Part One appears here: Lit Fic Mags for Spec Fic Writers 101. Part Two appears here: Lit Fic Mags for Spec Fic Writers 102: Is It Literary? ••• Now, you’ve decided to submit to a literary market for a particular story. You’re hip to the fundamental differences between lit mags and SFF mags […]
by Caren Gussoff Note: Part One appears here: Lit Fic Mags for Spec Fic Writers 101 This may seem totally obvious, but is actually worth a deeper dive: if you want to market your speculative fiction to literary markets, it has to be significantly literary. Literary markets, though they may protest that they do not like/accept/read […]
by Caren Gussoff I’ve sat in a lot of panels — and eavesdropped on a bunch of conversations — lately, in which genre writers have asked, debated, and/or mused about crossing over from SFF magazines and journals into straight-up literary fiction ones. Seems to many, and I agree, that the notorious snobbery and befuddlement of […]
This manual is intended to focus on the special needs of the science fiction workshop. Having an accurate and descriptive critical term for a common SF problem makes it easier to recognize and discuss. This guide is intended to save workshop participants from having to “reinvent the wheel” (see section 3) at every session.
A long-standing practice in book promotion is giveaways, particularly since book giveaways may help drum up reviews as well. You can conduct such giveaways in a simple fashion, asking people to leave a comment on a blog post or social network page in order to be entered.
LibraryThing, which was the first social book site, allowed users to enter their own books in order to catalog their library. People signed up immediately.
If your writing features a richly detailed universe, full of names, places, and historical events, you may want to explore using a wiki to chronicle it. A wiki’s structure allows intricate details to be recorded in a way that both preserves it in an easy to locate fashion but also allows devoted fans to browse the longtime story of your work.
There’s a difference between being a writer and wanting to be a writer. There are plenty of conversations about it, about whether payment, time spent, or day jobs land you on either one side or the other. But the consensus seems to be one major thing: writers write.
How can taking an improv acting/comedy lesson improve your writing? Well, for one thing, it forces you to think differently about story.
When I get professionally jealous it’s often an exciting thing. “Wow! I never thought of doing that. That’s amazing!” But excitement can turn into sad feelings…
A time-travel novella about a disillusioned major from the 22nd century, a highwaywoman from the 18th century, her scientist girlfriend, and a war for history raging across time. Releases Nov. 6, 2018.
Mark Niemann-Ross is a Portland-based writer of hard science-fiction and has appeared in Stupefying Stories and Analog; his upcoming novel is a murder mystery solved by a refrigerator.
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