With the publishing industry shifting so rapidly now, it’s always interesting to see what people think the new paradigm will be. Bernard Lunn takes a look at it in a two part article at ReadWriteWeb. As with any set of predictions it’s just guesswork, but guesses worth reading.
When attending a social function–whether it’s a small gathering at someone’s home, or a political fundraiser, or a room party at a convention–you are being gifted with the opportunity to meet, mingle, and make contact with a wide variety of people. What I intend to do here is give some pointers on how to get the most out of any social gathering, whether you’re there for business or for pleasure.
So here it is. You’re a fairly “new” writer, or at least new to the convention scene, and you desperately want to make some industry contacts in the hopes that it will make it easier to get an agent/sell your work/quit your day job and hire a cabana boy/any of the above. You decide to go to a convention, perhaps picking one of the “big” ones such as WorldCon, or World Fantasy, because you’ve heard that editors and agents are absolutely spilling out the doors.
Here are some guidelines/rules/suggestions to go by:
This .pdf document is an annotation of the Amazon Kindle contract as it was posted on Amazon’s Web site (downloaded in February, 2008).
Has your writing career stalled (or died) in mid-stream? John Betancourt offers some timely advice on how to jump back into the publishing boat.
Having trouble “confessing” your problems? Michael Bracken, author of several confessional stories, offers a few tidbits of advice.
This contract was written under the direction of the SFWA® Contracts Committee. The model or sample contracts have been written as a guide to writers in understanding common publishing contracts and to help them negotiate better contracts. They are not intended to be used as boilerplate contracts by publishers, writers, or agents, nor should such […]
This contract was written under the direction of the SFWA® Contracts Committee. The model or sample contracts have been written as a guide to writers in understanding common publishing contracts and to help them negotiate better contracts. They are not intended to be used as boilerplate contracts by publishers, writers, or agents, nor should such […]
This contract was written under the direction of the SFWA® Contracts Committee. The model or sample contracts have been written as a guide to writers in understanding common publishing contracts and to help them negotiate better contracts. They are not intended to be used as boilerplate contracts by publishers, writers, or agents, nor should such […]
by Justin Stanchfield Is writing science fiction or fantasy for younger markets really different? Well … Yes and No. It’s true that children’s lit, especially for early readers, can follow a simpler format than mainstream fiction. But … Everything you know about writing, all the rules, guidelines and advice you’ve been given before still applies. […]
An ancient Roman temple terraforming Mars. An android longing for his human wife. Will their epic clash bring Earth to its knees? Publishers Weekly calls it “a must-read for sci-fi fans.”
E.E. King is an award-winning painter, performer, writer, and naturalist. She’ll do anything that won’t pay the bills.
Ray Bradbury called her stories, “marvelously inventive, and deeply thought-provoking.”
