How does a sudden attack that puts a sword in your belly play from the inside? If you’d seen the blade properly would it be in your belly? Didn’t you see it properly a little too late, when it was up to the hilt? Shift that “blade” and we shift the awareness of it.
by Deborah Walker Ideas for my stories come to me in museums, in galleries, in libraries. Find me upstairs (and it’s always quieter upstairs) in the British Museum trawling the past looking for future inspiration. Old books, paintings, objects are part of our material heritage. Survivors of the ravages of times, sometimes cherished throughout the […]
An outline is a roadmap. It helps you decide the overall shape of the novel. It does not lock you into that structure if you stumble upon something interesting.
& Smell the Coffee-Colored Skin, White Authors!
Which came first—the chicken, the egg, or the egg white omelet—I don’t know. But the discussion glosses over an obvious gap: white authors.
My personal preference is for what I’ve called third-order answers. A lot of mysteries have an obvious culprit, and then a character who is, if you know your narrative conventions, the obvious alternative to the obvious culprit. I like mysteries that go one step further.
…I firmly believe that the joy found at the heart of reading is the same joy found at the heart of writing: it is the joy of discovery.
…I’m not going to discuss the importance of goals today. Instead, I’m going to discuss how worthless they are.
We do need, not more, but a deeper relationship with what we have. Not knowledge, or not just knowledge, but understanding. That’s what writers give us.
A good story should always be raising questions — not asking them directly, but instead forcing the reader to ask them. “Wait, what’s that weird symbol they keep seeing on the walls? What was that sound? Something’s up with that top hat-wearing fox that keeps following them, too.
When I told people at ConCarolinas that I’d gone from writing 2k to 10k per day, I got a huge response. Everyone wanted to know how I’d done it, and I finally got so sick of telling the same story over and over again that I decided to write it down here.
A mysterious platform appears off the South American coast overnight. Science journalist and popular TV host Sahalie Spark is sure it’s no oil rig. It’s the world’s first space elevator, and despite dangers she’s about to make the first ascent.
Douglas Phillips is the author of the Quantum Series, science fiction thrillers set in the fascinating world of particle physics where bizarre is an everyday thing.
