Guest Post: What’s Wrong with the Cheesecake? — A Brief Introduction to Antagonists
…I’m not going to discuss the importance of goals today. Instead, I’m going to discuss how worthless they are.
Archive for the ‘Writing Technique’ Category
Guest Post: Long Sentences
We do need, not more, but a deeper relationship with what we have. Not knowledge, or not just knowledge, but understanding. That’s what writers give us.
Guest Post: 25 Reasons Readers Will
Keep Reading Your Story
A good story should always be raising questions — not asking them directly, but instead forcing the reader to ask them. “Wait, what’s that weird symbol they keep seeing on the walls? What was that sound? Something’s up with that top hat-wearing fox that keeps following them, too.
Guest Post: How I Went From Writing
2,000 Words a Day to 10,000 Words a Day
When I told people at ConCarolinas that I’d gone from writing 2k to 10k per day, I got a huge response. Everyone wanted to know how I’d done it, and I finally got so sick of telling the same story over and over again that I decided to write it down here.
Guest Post: Beyond the First Two Pages
The logistics of slush piles demand ruthlessness, and stories that don’t intrigue the reader early on won’t get a second chance later. So, you’ve got your hook. It’s dramatic, it’s ingenious, and it’s free of typos. Your first two pages have been polished to near oblivion. Now what?
Guest Post: In Praise of the Thesaurus
Few reference books are as fun to roam around in as thesauri. They demonstrate the marvelous connections possible with language.
Guest Post: 60 Rules for Short SF (and Fantasy)
A “mainstream” short story can be about anything: a mood, a character, a setting, even a flashy writing style. A genre (SF or fantasy) short story is about an idea. The fictional elements (character, plot, setting, etc) are only there to dramatize the idea. Here are the rules for the SF (or Fantasy) short story.
Key Conditions for Suspense:
Part 27 – Patterns for Resolution
Element 4-6 & The Series Wrap Up
Well, folks. This is it. The final post in the series. I’m going to finish identifying basic patterns for the resolution phase, summarize what I’ve presented on structure, and wrap the whole series up.
Key Conditions for Suspense Part 26:
Patterns for Resolution Elements 1-3
Readers want their tension to build to a pitch. Then they want to feel a release. The resolution phase is where you deliver that delicious release.
Key Conditions for Suspense:
Part 25 – Patterns for Struggle Elements 5 & 6
The stories that use insight and decision are usually those where the main obstacle is the character’s internal problem. For example, in stories where love and friendship is on the line and the obstacle is the main character’s values, it may be that the hero has to make a decision to place love above something else.
