For those interested in breaking into genre television writing, an agent is paramount. They are the gatekeepers into a very exclusive world with a limited number of buyers. Here are some useful tips to garner representation.
by Cat Rambo
One question comes up more than any other when I teach writing: how do I know when a piece is ready for submission?
A designer must consider far more boring details than a writer. Game writing is all about the big ideas in a game and how they fit together. That requires detail to ensure everything meshes, but a world or character can tap into a gamer’s imagination to fill in the details.
by Dennis Mathis
A new hyper-detailed neurological atlas identifies 862 different structures making up the human brain. What are the odds that only five of them are about detecting reality?
by Gargi Mehra
When 2015 dawned upon us one year ago, I, like all reasonable writers, penned down certain resolutions. One of them was to test the oft-repeated advice doled out on most, if not all, writing websites – write a fixed quota of words every day.
by Rosalind Moran
The moody male lead is widespread throughout all genres, but it can be difficult to see why anybody would want to spend time with him. He’s brooding, exceedingly individualistic, melancholic, and disposed to hanging around outdoors during thunderstorms for no good reason beyond cultivating his mystique.
by Rosalind Moran
A regrettable trend across much fantasy writing is that of a horse not really being a horse, but simply a plot device; a vehicle to help carry a story along. Horses, however, are not vehicles.
by Dennis Mathis
It was madness. The classes went on until the janitor came to turn out the lights, and we never seemed to get anywhere. This wasn’t a course about writing, it was about readers and how infinitely bone-headed they could be.
By Ashley Lauren Rogers
There are numerous examples of classic science fiction and fantasy stories that deal with gender and what happens when we deviate from expectations of that gender. Include popular shows like Transparent, movies like The Danish Girl, and celebrities like Laverne Cox, Janet Mock, and the politically polarizing Caitlin Jenner–and it’s no wonder that an increasing amount of fiction, including YA, is featuring trans and nonbinary characters. So how can writers–especially if they aren’t trans or nonbinary–create such characters?
by Sara Ryan
Whatever your situation as a writer, I’d like to encourage you to try writing in the comics format. I keep using the word “format” to emphasize that, as advocates of comics have often been compelled to repeat, “It’s a format, not a genre.” Comics are not just about superheroes, or crime, or memoir, or humor, or romance, or journalism, or realism, or surrealism, or science fiction, or fantasy. Comics can be all those things and more.
Seven fantasy short stories that take the reader to the Kingdom of Imlay, a coastal realm still full of magic and mythical creatures great and small. Original and poignant, these tales will challenge the intellect and enlarge the imagination.
Amber Hansford is a fantasy author with a Too-Much Gene living in Atlanta, Georgia. Her debut novel, The Hand of Mashyana (Feb 2025), began her Persian-inspired Epic Fantasy series, The Emari Chronicles.
