Honestly, it is difficult (although not impossible) to avoid strategies that don’t incorporate Facebook in some way, either through a personal account or through Facebook Pages, at least not for writers who have at least one novel published. Once you have fans, Facebook becomes logical since it has the largest user base, therefore making it much more convenient as a way for people to find you.
Archive for the ‘Information Center’ Category
Today’s guest post by multi-published author Doranna Durgin is about a publisher behaving badly.
More than that, however, it highlights something that every writer signing a publishing contract needs to be aware of: the importance of reversion clauses…
The logistics of slush piles demand ruthlessness, and stories that don’t intrigue the reader early on won’t get a second chance later. So, you’ve got your hook. It’s dramatic, it’s ingenious, and it’s free of typos. Your first two pages have been polished to near oblivion. Now what?
If I’m unsure about a story, I put it on probation, and take another look 6 months later before I either lock it up, set it free, or possibly keep it on probation.
I’ve published about three dozen short stories, and perhaps 1/3 are SFWA-qualifying. I thought I’d open my submission history in case it would help a new writer see what the submission process looks like.
Few reference books are as fun to roam around in as thesauri. They demonstrate the marvelous connections possible with language.
A machine that creates gourmet meals-on-the-go in exchange for credits is still just a vending machine.
We can pick our teachers and we can pick our friends and we can pick the books we read and the music we listen to and the movies we see, et cetera. You are a mash-up of what you let into your life.
I’ve been told by highly skilled writers that this is a good exercise–something to do for now, but eventually I’ll grow out of this once I internalize it. I believe them! I really do. The thing is, I keep discovering different structures to try, and I can’t see myself internalizing any of them until I run out of new ones.
Whether you want to self-publish your novel or are trying to land a traditional publishing contract, it is in every author’s interest to make connections and talk with the editors in our field.