Early in their careers, writers sometimes sign away valuable rights under less than favorable terms. This article discusses the important right of termination under US copyright law, which allows writers to reclaim such rights in their works and to try to make a better deal.
Writers are sometimes confused by the “registration” requirement under the US copyright laws. In this post, I hope to clear up the concept and help you decide whether copyright registration makes sense for you.
A US District Judge has rejected an agreement between Google and some members of the book industry. If the deal had been accepted Google would have put millions of additional books online, in most cases, without the author’s permission.
Determining when work passes into the public domain is tricky. There are resources online that can help.
Copyright, literally, is “the right to copy.” It guarantees the authors of creative works–including books, artworks, films, recordings, photographs–the exclusive right for a set period of time to allow other people to copy and distribute the work, by whatever means and in whatever media currently exist. It also prohibits copying and distributing without the author’s permission. You own copyright by law, automatically, as soon your work is fixed in tangible form–i.e., the minute you write down the words.
A few questions answered and a few myths debunked regarding Copyright.
Hungry, thirsty and alone in a desert wasteland, Kid is picked up by a crew of outlaws with big reputations and even bigger guns. She soon learns that in a world without humanity, everyone has a bit of monster within them…
Mercedes M. Yardley is a dark fantasist who wears stilettos and red lipstick. She is the author of the short story collection Beautiful Sorrows, the novella Apocalyptic Montessa and Nuclear Lulu: A Tale of Atomic Love and her debut novel Nameless. He
Recent Comments