SFF Writing for White Goblins: Decolonising your Defaults
by Nick Wood (NW) & Isiah Lavender III (IL) After finishing a working stint as a psychologist in Aotearoa, New […]
by Nick Wood (NW) & Isiah Lavender III (IL) After finishing a working stint as a psychologist in Aotearoa, New […]
by Michael J. Moore You write speculative fiction for the same reason you’ve read or watched it your entire life.
by Eleanor Konik Often, speculative fiction relies on common government types, like monarchies and republics, because they’re familiar to
by Naomi Norbez With the release of Cyberpunk 2077 a few months back, there has been some debate about what it
by J.D. Harlock Sometimes, outlining is a never-ending struggle. Too much? Too little? You can never really tell until you
by Priya Chand All narrators are unreliable. If you’re reading this thinking “hey, you’re misusing the term; ‘unreliable narrator’
by C.K. Larsen Surely, nothing screams sexy like a bisexual+ woman asking, “How does it feel to kill someone?”
by Noah K. Sturdevant It seems fair to say that authors are constantly scrambling for time to write. I
by Henry Lien (This article originally appeared in The SFWA Bulletin #215.) Something I’ve noticed repeatedly in my author appearances,
by Hannah Abigail Clarke In the opening credits of Zach Snyder’s Watchmen, the phrase LESBIAN WHORES is briefly scrawled in