You and your work are important. Science fiction and fantasy literature permeates our culture. The mission of libraries, archives, and museums is to document our culture. We want to preserve the historical record of the SF/F field in all of its diversity for future researchers.
Archive for the ‘SFWA Blog’ Category
Our job as writers is to create a narrative that evokes this desired experience in the reader. Yes, we have to be passionate about our story. Yes, it’s an art and is complex and sometimes feels a bit mystical. But we can’t let that make us forget the fact that the ultimate purpose of the story is to guide the reader through an experience.
Once upon a time, a motley crew of knights, hobbits, and assorted elves–all members of the Fellowship of the Science Fiction and Fantasy Writers of America–set out to prank a certain publisher of ill repute.
Member News for Vera Nazarian and Lyn Nichols.
I’m always attracted to secret, arcane realms, which is one great subect of fantasy. I started in that direction with The Entire and the Rose, which I’ve (loosely) been calling a science fantasy for its quest theme and fantastical adventure.
Member News for Julie Jansen, Paul Daly, Monte Cook, Mark Niemann-Ross, Ernest Cline, Nisi Shawl, Eugie Foster, Paul S. Kemp, David Levine, Allan Cole and Holly Black.
This blog post was inspired by a recently-seen “acceptance letter” from a fee-charging publisher (which doesn’t admit its fees on its website; writers don’t find out about them until they’ve actually submitted).
The times they are a-changing, the question of when will probably be answered after the next Christmas season as ebooks emerge at minimum as a major market force, over 20% of book sales is a conservative guess, so the answer to that one is soon.
Even in the reaction stage we can include conflict and surprise. Maybe after our team’s setback, they regroup and discuss what they’re going to do now. This is a fine time to allow the varying motives of those on the hero’s team conflict.
Robin Price, a fake literary agent and film producer accused of bilking writers out of more than £500,000 over a number of years, admitted in a UK court on Wednesday to six counts of theft.