Guest Post: 5 Things To Do In Your First 3 Paragraphs
Display your command of language. It’s worthwhile for a writer to think about poetry, and all its devices like assonance and alliteration, metaphor and allusion, internal rhythm, even meter.
Archive for the ‘Writing Technique’ Category
Key Conditions for Suspense:
Part 11 – Make the problem hard to solve with disadvantages
Readers want to hope and fear for a character. To feel this, they must not know what WILL happen, but do need to suspect or know what MIGHT happen and feel tension about the possibilities.
Key Conditions for Suspense:
Part 10 – Clarity, the first principle of plot
Character and problem by themselves don’t go anywhere. You still have to build reader tension to a sharp point. So how do you do that?
Key Conditions for Suspense:
Part 9 – character draws 9-10
In my last two posts, I identified a number of things that make people and, therefore, characters interesting to us. In this post, I’ll present the last two draws and introduce the next condition for reader suspense.
Key Conditions for Suspense:
Part 8 – character draws 5-8
We cannot help but be interested in characters who are, do, or have things we want. In fact, this is one of the main draws of fiction–experiencing something wonderful or cool, even if it’s vicariously.
Conditions for Suspense: Part 7 – Character draws 1-4
In my last two posts I discussed the fact that readers are not going to hope and fear for a character unless that character raises their sympathy and sense of deservingness. But is that enough? Do readers stick around if the characters are utterly boring?
Conditions for Suspense:
Part 6–Character deservingness
All of us have an automatic scale of justice inside of us. We can’t turn it off. Nor can we ignore it. It’s very simple. If someone’s bad outweighs their good, then we think they don’t deserve good things. Conversely, if someone’s good outweighs their bad, we think they should be happy.
Key Conditions for Reader Suspense:
Part 5 – Character troubles
Sympathy starts when we see someone in trouble. That’s not the only thing that’s required. Some people who are in terrible trouble only evoke pity or even antipathy. So there’s more to this than trouble, but trouble is where sympathy starts. So what kind of trouble are we talking about?
Key Conditions for Reader Suspense:
Part 4 – Uncertainty
Surprise is one of the vital elements in story making precisely because it makes things unpredictable. It makes hope, fear, worry, and curiosity possible.
Key Conditions for Reader Suspense:
Part 2 – The Three Problem Types
With this post we begin looking at the key conditions that build reader suspense. Stories are made up of four main ingredients: character, setting, problem, and plot. All of these are important, but problem is the engine that makes suspense go.
