Writing Technique Archives

Archive for the ‘Writing Technique’ Category

Making It Different – Pushing Genre Boundaries in Fantasy

by Martin Jenkins

One of the pleasures of genre is that it lets us identify a type of writing that we know we like. We’d feel short-changed if a crime novel didn’t feature a crime, after all, or if a romance didn’t put the travails of a relationship front and center. What we don’t want to see, however, is a mere repetition of genre tropes and clichés – it’s what is fresh and different in a work of fiction that keeps us turning the page while still being identifiably a genre work.

Epistolary Tales: The Narration of Documentation

by Ken Pelham

Occasionally, you come across a work of fiction told in the form of documents. Letters, court reports, diaries, news articles, and such. We call this epistolary narration (from the root word, epistle, meaning “letter”). Some call epistolary a gimmick. I can’t speak for anyone else, but I’m a sucker for it.

A Worldbuilding Guide to Crafting Diverse Cultures

by Amelia Wiens

One of the best parts of science fiction and fantasy is the worldbuilding. A key part of creating interesting worlds is creating diverse cultures that vary in some way from our own norms. That being said, it can be so hard to get out of our own culture’s point of view and redefine elements that we unconsciously take for granted.

The Art of Story as Worldbuilding

by Nathan Nance,

So you’re writing SFF, and you’ve got spaceships to design. Engine systems to map. A haunted forest to populate. A talking badger to draw. If you’re not a rocket scientist writing hard sci-fi, how are you supposed to make your version of James S.A. Corey’s Rocinante, you know, fly?

Sketching a Story

by Paul Jessup

Novels are hard, yo. I mean, books in general, maybe writing overall? But for me making that leap from short stories to novels was a difficult transition. I had to completely change my writerly habits, completely reinvent the ways I was doing things altogether.

The Jargon and Slang of the Fantastic

by Ken Pelham

World-building is more than misty mountains, crumbling castles, dripping neon cityscapes, and talking rats. It’s also about psychology and language, and the language equation includes the everyday corruptions of jargon and slang.

Stories that Teach: Adventures on the Crossroads of Fiction and Non-fiction

by Alex Woolf

One trend that I think is likely to have more enduring appeal is narrative non-fiction (NNF): the blending of story elements with non-fiction. Typically, this involves the author inventing characters and a simple plot device, such as a journey. Along the way, the characters discover real-world information, be it about science, history or geography. The idea is that by employing narrative techniques such as characterization, dramatic tension, dialogue and atmosphere, the process of information acquisition is made a lot more compelling.

Military Logistics for Fantasy Writers

We all know ‘an army marches on its stomach,’ but it’s not like Napoleon discovered something new. Vegetius (De re militari) and Sun Tzu (The Art of War) were well aware of this concept, as was Alexander the Great (Engels, Alexander the Great and the Logistics of the Macedonian Army, 1980). And it wasn’t news to them, either. Pre-modern military commanders knew this; they planned for this. They paid attention to logistics.

Fantasy writers should, too.

Translating the Hero’s Journey Into a Linear Plan

by Susan Forest There are as many paths into creating fiction as there are writers, and widely differing approaches have led to successful works. Entire books have been written how to plan a story; here, I will focus on one small process: translating the circular Hero’s Journey into a linear plot. This translation involves (1) […]

Grice’s Maxims and How You Can Use Them in Your Fiction

by Dan Brotzel

The philosopher of language Paul Grice (1913-88) is best known for his four conversational maxims, which describe what’s going on when people hold a conversation. I want to look at these to see how they can help us in crafting fiction.