By Kim Zarins When I was a child, I snuck out to the backyard, made a little circle of stones, and jumped inside the circle. The goal was to get to Narnia, which I loved intensely. But I have never pictured Narnia or its characters in my mind. I’m an aphant, that is, someone with […]
by Hunter Liguore Creating new characters takes a careful eye. When an idea comes, we might rely on familiar images to fashion characters that aren’t truly our own, but rather influenced through media images or by people we’ve encountered or known well. What is often missed in the early drafting of characters is the up-close […]
By Anessa Kemna Science fiction and fantasy should be the perfect places for disability representation. Writers make the rules in their worlds. But it’s difficult to find disabled characters and even harder to find quality representation in the SFF genres. It’s difficult in mainstream fiction too, but a genre built on imagination should have higher […]
by R. K. Thorne Worldbuilding is a fun aspect of writing fantasy and science fiction. It is so tempting to get lost in drawing maps, hoarding pictures, plotting lineages, or researching how that awesome weapon system could actually work. Our efforts often focus on geography, history, and politics. But part of worldbuilding should be envisioning […]
by Marie Brennan Recently, I’ve seen a number of online discussions about stories without conflict, especially stories from outside the Western narrative tradition. I’m not the right person to discuss those specific approaches, but listening to the conversations has made me realize how narrow a definition of conflict my teachers presented to me. If your […]
By Kathy Flann We think of humor as something that just … happens. Yet, as someone who writes both humor and fiction, I’ve learned that each is a distinct craft with challenges that can multiply when combined—not unlike when Ray, Peter, Winston, and Egon cross the streams in Ghostbusters, risking total protonic reversal. Okay, maybe […]
By Maria Haskins Writing flash fiction—commonly defined as a story of no more than 1,000 or 1,500 words—can seem daunting at first try. Or addictive if you’ve already caught the flash-writing bug. These tips are based on my love for flash as a reader and writer, and I want to emphasize that they are tips, […]
By Kahina Necaise Convincing fiction is about cause and effect. That’s why, in my work as an editor, the two questions I ask most often while diagnosing an issue with a client’s story are: Does this come out of nowhere? Does anything ever come of this? Does this come out of nowhere? is about unclear […]
by Yilin Wang Note: This article first appeared in The Bulletin #216 in October 2021. When I tell other writers who are not familiar with Sinophone literature that I am writing short stories and a novel that play with the wuxia fiction genre in English, I am often met with one or more of the […]
by Valerie Valdes Note: This article previously appeared in The Bulletin #216 in October 2021. You open the SFWA Bulletin to start reading an article about second person point of view (POV), and immediately you’re put off. You didn’t expect the article itself to use this POV, since most articles don’t. What a cheap gimmick, […]
Charley Deacon is failing out of uni, being near the sea makes her inexplicably ill, and now her sister is missing in suspicious circumstances. Her only hope may lie with an impossibly old woman who lives in a tiny settlement overlooking the ocean.
Bonnie Jo Stufflebeam is the author of the short story collection Where You Linger and the novella Glorious Fiends. Her Nebula-nominated fiction has appeared in over 90 publications such as LeVar Burton Reads and Popular Science.
