by Joshua Sky
A big part of selling scripts and landing writing assignments is pitching material in Hollywood. These dealings are nurtured through a series of meetings that you can get in a variety of ways. Let’s explore how to land and get the most from these meetings.
Maybe that stubborn determination to find an agent and get picked up by a NY publisher so that your book ends up in Barnes and Noble isn’t really worth the (huge) effort.
In the past year SFWA has seen several examples of magazines contemplating monetizing the writers submitting work to them for publication.
For those interested in breaking into genre television writing, an agent is paramount. They are the gatekeepers into a very exclusive world with a limited number of buyers. Here are some useful tips to garner representation.
A designer must consider far more boring details than a writer. Game writing is all about the big ideas in a game and how they fit together. That requires detail to ensure everything meshes, but a world or character can tap into a gamer’s imagination to fill in the details.
by Laura Kemmerer
Writing for the intellectual properties we’ve all come to know and love so much is both possible and can be a huge asset to your authorial career. But it’s best to cover the basics first.
Glasgow International Fantasy Conversations (www.gifcon.org) has issued an invitation to authors and artists to submit papers and creative works.
If you’re an author or publisher, price promotions are a powerful way to reach new readers and sell books.
How powerful? In 2015, price promotions on BookBub alone drove sales of over 20 million ebooks — and over 200 of the books with promotions featured on BookBub made it to The New York Times bestseller list.
In this post, we’ll explain how science fiction and fantasy authors and publishers can tap into some of that power and use price promotions to accomplish multiple book marketing goals.
If you’re going to be at MidAmeriCon II on Aug 20th, be sure to check out the SFWA’s Meet-and-Greet with Margot Atwell, Kickstarter’s Publishing Lead.
by Russell Galen
Have an agent. If you feel you don’t need one, find another human being to whom you have no emotional attachments, who knows a lot about the IP business, will tell you the truth, will be a sounding board for your literary and business questions, and will speak to the buyers of your work so that you can keep some distance from them.
