by Luna Lindsey
Panlexicon vs. Visual Thesaurus: No, it’s not an epic city-smashing battle of giant robots versus dinosaurs. It’s a contest between online thesauri. When you need that perfect word, where should you turn?
Come the beginning of my pro career, in the early Eighties, women were discouraged from writing science fiction. (Hard, muscular SF was for boys.) Fantasy was deemed more appropriate, being so much softer and “easier,” or so one was told, and frankly it sold better. And here I had this monster of a thing that could best be called science fantasy—mages with space ships. And empire, of course. Must have empire.
by Nancy Fulda
Your post strikes a nerve. It gets tweeted, and retweeted, and blogged about, and linked to. Comments start pouring in, both for and against your position. Your inbox is overflowing. You put other projects on hold.
by Rochita Loenen-Ruiz
To be able to practice our art in a space and time when we are free from thinking of anything else but that practice is a vital and precious good.
There is a recent tendency of some publishers to change their contracts in manners that are decidedly unfavorable to authors. We have had and are having particular issues with indemnity clauses. Griefcom urges all of you to compare any offered contract to the SFWA Model Contract and to ask for changes in any clauses that are non-beneficial to you.
As fiction writers, we talk a lot about humor. We talk about what’s funny. We talk about what isn’t. We talk about appropriate moments for humor, the types of audience best suited to it, and the consequences of attempted humor gone horribly wrong.
How do you ask for a blurb without making a nuisance of yourself? You do your research. Many professional authors have “blurb and review” policies in place on their websites, mostly out of self-defense.
As part of its mission to serve professional genre writers, the Science Fiction and Fantasy Writers of America is pleased to announce that their Contracts Committee has released an updated Model Magazine Contract.
The Science Fiction and Fantasy Writers of America is pleased to announce that Unidentified Funny Objects, edited and published by Alex Shvartsman, is the first anthology series to join the SFWA list of Qualifying Professional Markets.
by Jaym Gates and Joie Brown
The life of a freelancer isn’t all champagne and breakfast in bed. To make a living out of the bits and pieces of available contracting work requires a lot of juggling, steady nerves, and an organizational savvy that’s definitely bordering on the supernatural.
Practical guidance, frameworks, and tools for incorporating the principles of peacebuilding and nonviolence into compelling fiction. Many examples in this book are drawn from speculative fiction genres.
My co-authored books are: Blonde OPS, Sirenz, and Sirenz Back in Fashion. My solo books are: The Excalibur Vow, the Evolution Revolution trilogy: Simple Machines, Simple Plans, Simple Lessons. I’ve written short stories and have several mss drafted.
