by Carien Ubink It’s important to get reviews, but if you ask in the wrong way, your request might be deleted right away. So here are some do’s and don’ts when asking a blogger or fellow author for a review. Do your research. This means you need to have a good look at the blog/site/profile […]
by Corrine Kumar We grow as writers by reading, but we often read passively—leaving the understanding of stories to our subconscious. Passive growth is important, but active reading can raise our storytelling to new heights. Over the last two years, I have developed a system of actively reviewing each novel I read, and this process […]
By Sascha Stronach Note: This article first appeared in The Bulletin #216 in October 2021. Publishing (verb): the act of smashing your head against a wall until you see daylight. Publishing From Outside America (verb): as above, at long range. In the aftermath of CoNZealand, the 78th Worldcon, there was a palpable feeling of betrayal […]
by Yilin Wang Note: This article first appeared in The Bulletin #216 in October 2021. When I tell other writers who are not familiar with Sinophone literature that I am writing short stories and a novel that play with the wuxia fiction genre in English, I am often met with one or more of the […]
Congratulations, You’ve Published Your Work and You Have Fans (and Critics): So What Do You Do Now? by Amber Benson Note: This article first appeared in The Bulletin #216 in October 2021. Before you can become a creator, you have to be a fan first. As the irrepressible Hannibal Lecter says in the film The […]
by Benjamin C. Kinney Rejection letters are an inescapable part of the writing life, especially for authors of short fiction. The internet is full of advice to build persistence in the face of rejection – which is good advice, but it’s only one side of the coin. It takes two to reject, after all. […]
by Alice Speilburg Nearly every summer, I bring on an intern for the agency, and each week we cover a different publishing topic, focusing on traditional publishing paths in the US. When we get to author payment structures—advances and royalties—I start with a theoretical explanation. An advance is intended to cover an author’s expenses while […]
by Gillian Polack It’s suddenly harder to make a living as a writer. It was never easy. Setsu Uzumé recently wrote on the possibility of obtaining grants from regional or local governments. This article will walk you through some of the steps to get a local or regional government grant. I am Australian, so […]
by Laurence Raphael Brothers Introduction Short fiction submissions can be challenging. There are many factors to juggle in deciding what to submit, and where. “Submission Tetris” is the game of matching your available stories with magazine and anthology slush calls. Markets and Market Lists The two leading short fiction market and submission trackers are The […]
Writing ‘POC’ is not enough. It doesn’t merit applause, or points for diversity. What does merit applause and accolades is acknowledging and depicting unreduced minorities—especially marginalized voices—in writing. We are not a monolith. Our stories are as complicated and intersectional as anyone else’s.
A mysterious platform appears off the South American coast overnight. Science journalist and popular TV host Sahalie Spark is sure it’s no oil rig. It’s the world’s first space elevator, and despite dangers she’s about to make the first ascent.
E.E. King is an award-winning painter, performer, writer, and naturalist. She’ll do anything that won’t pay the bills.
Ray Bradbury called her stories, “marvelously inventive, and deeply thought-provoking.”
