by Gargi Mehra
Writing when you’re in full flow is like living a dream. Who doesn’t love that feeling when the words spill out faster than you can type them? If you’re old school, the scratch of the pen as it flies over the pages struggles to keep pace with your thoughts.
The reverse scenario keeps writers awake at night.
by John Walters
I am a hybrid author, which means that I self-publish books and also publish short stories in traditional venues. Last night I was engaged in what I call marketing. Several of my stories had come back unsold from magazines and anthologies, and rather than having them sit around, I wanted to send them back out to other possible markets.
by K. C. Norton
For the past three years, I have been working as a ghostwriter, writing coach, and English tutor. In my line of work, I almost invariably partner with people who are writing or editing their memoirs. For the most part, they’re content to know that I have a Master’s degree, but occasionally they want to know if I’ve published anything, and if so, what kind of stories I write for myself. I both dread and relish this moment, because it’s a chance to reveal my dirty secret: my preferred genre is Science Fiction.
By Michael Michel
Regardless of where you end up on the journey known as being a writer, my guess is you want to enjoy the experience. Here’s my recommendation: focus more on the crafter than the craft. As the crafter, you are the instrument through which creativity flows and stories are shared with the world. If you want to be successful, start writing the story you’d love for yourself, first.
by Sandra M. Odell
I love intricate, detailed worldbuilding; it’s the backbone of science fiction and fantasy stories, even those set in the modern era. Sadly, few things make me stop reading faster than the realization that a writer gave more thought to the description of a meal than they did to the how or why an accommodation for a character with disabilities came to be in a story. Inclusion and representation matter, and so do the supports that allow an individual with disabilities to interact with a writer’s world.
by Paul Jessup
It seems to happen every single time I work on something larger than a novella. The minute I finish it, it seems like all of my creativity for fiction dries up.
by R.F. Kuang
What I’ve seen is that the lone POCs in largely white writing groups often become tokenized faux authorities. We’re consulted just enough to give other work a stamp of diversity approval, but brutally marginalized when their opinions become inconvenient.
by Paul Jessup
It will probably happen to you. Almost every career for a professional writer hits a snag at some point. Usually after a huge burst of activity and a feeling of momentum, of going somewhere. It comes out of nowhere, out of left field.
by Jeffe Kennedy
It’s apropos that “Lonen’s War,” book one in my Fantasy Romance series, “Sorcerous Moons,” is featured in the first SFWA Fantasy StoryBundle. That’s because the fantastically smart and helpful folks in SFWA helped me out with a worldbuilding challenge.
by Tim Susman
Since it’s fall and ghosts are in the air, I thought it might be a good time to talk about my research into vodou/voodoo, the religion and spiritual practices that coalesced on Haiti among the African slaves there and spread to America, most commonly and famously in New Orleans (for the purposes of this article, I use “vodou” to refer to the Haitian religion and “voodoo” to refer to the New Orleans practices).
In these fascinating tales you’ll find apocalyptic landscapes, virtual worlds, far planets, alien invaders, monsters, heroes, villains, lovers, life, death, tragedy, and triumph.
Ken Altabef is an author whose writing spans a wide range of the imaginative from science fiction to fantasy to horror. ALAANA’S WAY is his epic fantasy series set in the arctic wastes, and features Inuit mythology.
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