by Nick Wood
There are costs to illness and disability. This is not an uncommon scenario amongst writers–see my list of blogs below on writing through various disabilities.
by R J Theodore
I was unprepared for the wall of celebration, creativity, and acceptance I felt when I walked into the midst of a crowd of storytellers at my first SFWA Nebula Conference in 2017.
By Michael Michel
Regardless of where you end up on the journey known as being a writer, my guess is you want to enjoy the experience. Here’s my recommendation: focus more on the crafter than the craft. As the crafter, you are the instrument through which creativity flows and stories are shared with the world. If you want to be successful, start writing the story you’d love for yourself, first.
by Barbara E. Hill
Because of this diminutive rose-colored darling I learned a lot about life, relationships, and especially about writing.
“But… wait, what? Writing?” you ask. “A donkey taught you about writing?”
by R.F. Kuang
What I’ve seen is that the lone POCs in largely white writing groups often become tokenized faux authorities. We’re consulted just enough to give other work a stamp of diversity approval, but brutally marginalized when their opinions become inconvenient.
Beginning this year, bestselling author George R. R. Martin is funding a scholarship for an Odyssey student. The Miskatonic Scholarship will be awarded to a promising writer of Lovecraftian cosmic horror.
by Paul Jessup
It will probably happen to you. Almost every career for a professional writer hits a snag at some point. Usually after a huge burst of activity and a feeling of momentum, of going somewhere. It comes out of nowhere, out of left field.
by Jeffe Kennedy
It’s apropos that “Lonen’s War,” book one in my Fantasy Romance series, “Sorcerous Moons,” is featured in the first SFWA Fantasy StoryBundle. That’s because the fantastically smart and helpful folks in SFWA helped me out with a worldbuilding challenge.
by Tim Susman
Since it’s fall and ghosts are in the air, I thought it might be a good time to talk about my research into vodou/voodoo, the religion and spiritual practices that coalesced on Haiti among the African slaves there and spread to America, most commonly and famously in New Orleans (for the purposes of this article, I use “vodou” to refer to the Haitian religion and “voodoo” to refer to the New Orleans practices).
by Douglas Smith
Eventually, I came to understand these stories were transcribed from versions people remembered being told when they were young or used to tell their children. Story telling was an oral tradition.
