Archive for 2010

Quick Updates for 2010-03-04

SFWA member @daviddlevine is speaking Wed. at Ignite Portland: Bagdad Theatre 7pm. It's a cross between TED & speed-dating! Free! # In a Mind Meld, @sfsignal asks some Nebula nominees what additional works they wish had made the ballot. http://is.gd/9BGNQ # Welcome to SFWA's newest Active member @gordsellar. Read one of his qualifying stories @clarkesworld […]

Supreme Court Reinstates Major Freelancer Copyright Settlement

Posted by Victoria Strauss for Writer Beware Today, by unanimous decision, the US Supreme Court overturned a lower court ruling that tossed out a settlement reached in a landmark case involving electronic rights and copyright. In 1999, the National Writers’ Union filed suit against the New York Times and LexisNexis, among others, alleging copyright infringement […]

Quick Updates for 2010-03-03

Resources, Industry News, and Member News for Mary Robinette Kowal, Jess Wynne, Monica Valentinelli, Victoria Strauss, Jay Lake, Seanan Mcguire, Blake Charlton, Rachel Aaron, and Genevieve Valentine!

Quick Updates for 2010-03-02

The Nebula final ballot is now open to Active SFWAns. http://www.sfwa.org/member-links/discussion-forums/2009-nebula-final-ballot # New issue of Apex Magazine is a single author issue with fiction by SFWA member @maryrobinette http://is.gd/9spY3c # Norton nominee @malindalo talks about "On Asianness (or the lack thereof) in ASH" Very worth reading. http://bit.ly/bOHTvq # SFWA member @LAGilman has a contest to […]

Nebula Final Ballot open for voting

SFWA Active members, the voting period for the Nebula final ballot has opened. You may read the nominated works in the members’ only Discussion Forum and vote online. Your vote must be received by March 30th, 2010 at 11:59pm PST in order to be counted.

Reading Aloud: Cross-gender Voices

Cross-gender voices are a tricky business. Even if you can really do a convincing cross-gender voice–and I know folks who can–the fact is that in a live reading, the audience knows that there’s only one person doing all the voices. There are two ways cross-gender voices can throw people out of listening. It’s really bad, and embarrassing, or it’s really good and shocking that a female voice is coming out of a man’s mouth. Either way, the listener drops the story for a moment.