by Wendy Nikel
According to Forbes and other market researchers, audiobook sales are currently experiencing a major boom. With Science Fiction & Fantasy being the third-most-popular genre for this format, I decided a few months ago that I was going to try my hand at getting my books – a time travel novella series originally published in 2018-2019 by World Weaver Press – into this market. Here’s how it went.
by Setsu Uzumé
From Kickstarter to ko-fi to patreon, the search for funding can be a huge challenge. I recently attended a lecture provided by the St. Louis chapter of the Volunteer Lawyers and Accountants for the Arts on the subject of applying for grants. Some of the most basic hurdles include finding grants that might be a good fit for your work, and how to prepare your materials in a way to make it easy for the folks reading your submission.
by Eva Scalzo
There are things you want to be sure you’re asking beginning on that first call, when you’re trying to see if an agent will be a good fit for you
by Alex Woolf
No one enjoys being rejected. Writers, who are often a touch more sensitive than the average bear, may feel the sting even more acutely. Which is unfortunate, as the daily work of the writer involves rejection on an almost continuous basis.
by Alice Speilburg
At the pre-publication stage, as you’re drafting queries and sending off sample pages, an editor at a publishing house and a literary agent seem to serve the same purpose: to legitimize your claim as a professional author, and to set you on the path to publication.
by Jeff Reynolds
When I was eight, I wrote my first short story. It was bad, as the writing of an eight-year-old tends to be, full of tropes and endless misspellings. It long ago disappeared into the trash bin of my personal history. But my teacher gave me an A on the work, and I was hooked.
by Nathan Nance,
So you’re writing SFF, and you’ve got spaceships to design. Engine systems to map. A haunted forest to populate. A talking badger to draw. If you’re not a rocket scientist writing hard sci-fi, how are you supposed to make your version of James S.A. Corey’s Rocinante, you know, fly?
by Dan Brotzel
Genuine idea theft and plagiarism are complete no-nos, of course. But I’m amazed how protective writers of stories, articles and posts can be about ideas that aren’t really worth stealing. Here are a few thoughts on ideation and originality…
by Paul Jessup
Let’s talk about that early stage of the story, when you have that bright gleaming idea in your head, burning brightly. It wants to be born, it wants to come to life. You spend days, weeks, months doing research, laying down pages and pages and pages of notes. Enough to be a small novel in itself. And then you start writing.
by Daniel Brotzel
Finishing a book sounds like hard enough work when there’s just one of you. Can working with someone else really help? Yes! says Dan Brotzel, who’s recently launched a novel he wrote with two pals. Here’s the why and the how…
Caleb thought a rare bird sighting would be the highlight of his trip. Instead, aliens abducted him to teach their children. Two years later, his captors are murdered, leaving Caleb as the last line of defense for the alien kids he’s come to love.
R. Gary Raham writes science fact and science fiction. Raham’s writing has been known to make a reader laugh and think simultaneously with no known deleterious effects.
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