10 Ways SFWA Can Help Promote Your New Book
What are the ways SFWA can help a member promote their book?
What are the ways SFWA can help a member promote their book?
by Luna Lindsey
A lot of authors hate writing “bios.” We can crank out a 100,000 word novel no problem, but a 100 word bio for the back cover? Terrifying.
by Leo Babauta
I deal every day with questions about how to stay motivated, how to stay on track, how to be excited about what I’m doing, how to stay grounded and balanced. Do you face these same issues?
by Tobias S. Buckell
Today, while waiting for my new office chair to be delivered, I asked followers at Twitter to send me some questions. In response, someone tweeted: “When to trunk and when to keep rewriting?”
by Luna Lindsey
Panlexicon vs. Visual Thesaurus: No, it’s not an epic city-smashing battle of giant robots versus dinosaurs. It’s a contest between online thesauri. When you need that perfect word, where should you turn?
by Nancy Fulda
Your post strikes a nerve. It gets tweeted, and retweeted, and blogged about, and linked to. Comments start pouring in, both for and against your position. Your inbox is overflowing. You put other projects on hold.
There is a recent tendency of some publishers to change their contracts in manners that are decidedly unfavorable to authors. We have had and are having particular issues with indemnity clauses. Griefcom urges all of you to compare any offered contract to the SFWA Model Contract and to ask for changes in any clauses that are non-beneficial to you.
As fiction writers, we talk a lot about humor. We talk about what’s funny. We talk about what isn’t. We talk about appropriate moments for humor, the types of audience best suited to it, and the consequences of attempted humor gone horribly wrong.
How do you ask for a blurb without making a nuisance of yourself? You do your research. Many professional authors have “blurb and review” policies in place on their websites, mostly out of self-defense.
by Kate Heartfield In the late 1990s and early 2000s, I was a dabbler in short fiction. I wrote about one story each year. I’d send that story out once, maybe twice if I felt cocky, and then I’d trunk it, figuring that a rejection or two meant a story was no good. Somehow, despite this method […]