All of us have an automatic scale of justice inside of us. We can’t turn it off. Nor can we ignore it. It’s very simple. If someone’s bad outweighs their good, then we think they don’t deserve good things. Conversely, if someone’s good outweighs their bad, we think they should be happy.
Sympathy starts when we see someone in trouble. That’s not the only thing that’s required. Some people who are in terrible trouble only evoke pity or even antipathy. So there’s more to this than trouble, but trouble is where sympathy starts. So what kind of trouble are we talking about?
Surprise is one of the vital elements in story making precisely because it makes things unpredictable. It makes hope, fear, worry, and curiosity possible.
With this post we begin looking at the key conditions that build reader suspense. Stories are made up of four main ingredients: character, setting, problem, and plot. All of these are important, but problem is the engine that makes suspense go.
Sometimes it feels like there are a thousand things to remember when writing a story. New writers who make lists of these things soon begin to drown in them. But I’ve come to realize that many of these “rules” don’t matter.
Key PROBLEM conditions for reader suspense o Part 1 – It’s all about the reader o Part 2 – The 3 Problem Types o Part 3 – It’s gotta be difficult o Part 4 – Uncertainty Key CHARACTER conditions for reader suspense o Part 5 – Character troubles o Part 6 – Character deservingness o […]
Sometimes we forget to breathe when it comes to our creativity. By which I mean we are so busy creating and interacting with the world that we forget to pause, to be silent, to be alone. The imagination, the spark of all creativity, is a renewable resource, but it is not an inexhaustible resource.
Posted by Victoria Strauss for Writer Beware
How do you get to Carnegie Hall? Practice, practice, practice.
This old saw applies to writers as much as to musicians. In today’s guest blog post, author and writing teacher Barbara Baig explores the impo…
Sometimes, no matter your best efforts, you’ll find yourself stuck in a rut, bored with your work and yourself. At such times, here are a few techniques that may nudge or jolt you out of that mood.
A frequent question, especially among self- and small press-published authors, is how books get into libraries, and what authors can do to help. Today, guest blogger and public librarian Abigail Goben explains how libraries choose the books they purchase–and what authors should (and shouldn’t) do to play a part in that process.
The Translucent Boy befriends an elderly paleontologist suffering from dementia, sending the Odd Squad on a journey to the ancient continent of Pangaea and the dystopian world of Varania.
Ash Bishop is a lifetime reader and a lifetime nerd, loving all things science fiction and fantasy. He has been a high school English teacher, and worked in the video game industry, as well as in educational app development. He lives in CA.
