There is at least one confirmed case of H1N1 coming out of World Fantasy. Australian editor, Jonathan Strahan, reports on his blog that he became ill immediately after the World Fantasy Convention and it has been diagnosed as the flu H1N1.
I’m very pleased to announce that SFWA has a new Nebula Awards Commissioner (NAC). Madeleine Robins has agreed to take on this role, and see us through the first year under the new rules.
As an author, it’s important for you to know how to sell and market your book. Because there is no shortage of books and articles on the subject, I’d like to tackle the subject of marketing your book from a more metaphorical approach. (If you’ve ever heard me speak, you should know I’m pretty big on metaphors to help you better understand topics in a different way.) In your case, I feel that it’s not only important to understand how to sell, but also understand a little bit more about a typical sales cycle.
Karl Kroeber
1926-2009
Copyright, literally, is “the right to copy.” It guarantees the authors of creative works–including books, artworks, films, recordings, photographs–the exclusive right for a set period of time to allow other people to copy and distribute the work, by whatever means and in whatever media currently exist. It also prohibits copying and distributing without the author’s permission. You own copyright by law, automatically, as soon your work is fixed in tangible form–i.e., the minute you write down the words.
Nigel Beale interviews David Hartwell and Kathryn Cramer about the differences between SF Editors and others.
Our congratulations to the SFWA Members on this list!
In this article, Rob Tornoe reports that an artist has sold a silkscreen print of an uncredited cartoon for £150,000, apparently without the consent of the original cartoonist. This raises new concerns about the already disputed realm of copyright and intellectual property.
Unlike commercial or trade publishers, whose business model is based on book volume (selling as many books as possible from a limited number of authors), author mills’ business model is based on author volume (selling a limited number of books from as many authors as possible). The most famous example of an author mill is PublishAmerica, but there are others, such as VDM Verlag Dr. Mueller, an academic author mill.
According to the biographical note on Ursula K. Le Guin’s website, she has published twenty-one novels, eleven volumes of short stories, three collections of essays, twelve books for children, six volumes of poetry and four of translation, and has received many awards: Hugo, Nebula, National Book Award, PEN-Malamud, etc. What the site doesn’t say is […]
In coining afropantheology—“conceived to capture the gamut of African works which, though having fantasy elements, are additionally imbued with African spiritual realities”—the authors successfully encapsulate a distinct genre of spec fic – PW
Matthew Wayne Selznick is a Southern California author, indie publisher, and author consultant working in a variety of storyworlds and genres. His latest novel is the fantasy thriller LIGHT OF THE OUTSIDER.
