by Barbara E. Hill
Because of this diminutive rose-colored darling I learned a lot about life, relationships, and especially about writing.
“But… wait, what? Writing?” you ask. “A donkey taught you about writing?”
by Jeffe Kennedy
It’s apropos that “Lonen’s War,” book one in my Fantasy Romance series, “Sorcerous Moons,” is featured in the first SFWA Fantasy StoryBundle. That’s because the fantastically smart and helpful folks in SFWA helped me out with a worldbuilding challenge.
by Tim Susman
Since it’s fall and ghosts are in the air, I thought it might be a good time to talk about my research into vodou/voodoo, the religion and spiritual practices that coalesced on Haiti among the African slaves there and spread to America, most commonly and famously in New Orleans (for the purposes of this article, I use “vodou” to refer to the Haitian religion and “voodoo” to refer to the New Orleans practices).
by Douglas Smith
Eventually, I came to understand these stories were transcribed from versions people remembered being told when they were young or used to tell their children. Story telling was an oral tradition.
by Erica Satifka
According to the World Health Organization, one out of every four people will be affected by mental illness at some point in their lives. Considering this, it’s important to not only feature characters with mental illness prominently in one’s writing, but to treat the subject with sensitivity and accuracy.
by Stewart C Baker
Fiction writing is often presented as an intensely solitary pursuit, but look at the end of a published novel some time and you’ll see the author thank at least a dozen people for their help. And then there’s co-authoring…
by Cat Rambo
One question comes up more than any other when I teach writing: how do I know when a piece is ready for submission?
by Dennis Mathis
A new hyper-detailed neurological atlas identifies 862 different structures making up the human brain. What are the odds that only five of them are about detecting reality?
by Rosalind Moran
The moody male lead is widespread throughout all genres, but it can be difficult to see why anybody would want to spend time with him. He’s brooding, exceedingly individualistic, melancholic, and disposed to hanging around outdoors during thunderstorms for no good reason beyond cultivating his mystique.
by Rosalind Moran
A regrettable trend across much fantasy writing is that of a horse not really being a horse, but simply a plot device; a vehicle to help carry a story along. Horses, however, are not vehicles.
From the Hugo & Nebula award nominated author of Shigidi and The Brass Head Of Obalufon comes a stunning new collection of stories that investigate the rapidly changing role of technology and belief in our lives as we converge to our future selves.
Register now for the 2024 SFWA Nebula Conference--A weekend of professional development, panels, and networking for ALL genre writers!
