Since its founding in 1996, Odyssey has become one of the most respected workshops in the science fiction, fantasy, and horror writing community. Odyssey is for developing writers whose work is approaching publication quality and for published writers who want to improve their work. The six-week workshop combines advanced lectures, exercises, extensive writing, and in-depth feedback on student manuscripts.
Sometimes we forget to breathe when it comes to our creativity. By which I mean we are so busy creating and interacting with the world that we forget to pause, to be silent, to be alone. The imagination, the spark of all creativity, is a renewable resource, but it is not an inexhaustible resource.
Gruber was living on dreams and precious else during those lean, dangerous years. He played hide and seek with his landlord until he could scrounge his rent, reduced his food budget by eating “automat” soup (a meal made of the free ketchup and crackers available at the automat, stirred in a bowl, with the hot water for tea to taste), and dropping off manuscripts on foot to avoid any postal costs.
Posted by Victoria Strauss for Writer Beware
How do you get to Carnegie Hall? Practice, practice, practice.
This old saw applies to writers as much as to musicians. In today’s guest blog post, author and writing teacher Barbara Baig explores the impo…
When I consider trying to maintain my writing and care for human children, my head boggles. Others have done it, wresting time and space while caring for family. I decided to ask a small panel of talented writers and fellow SFWA members about how they did it
Sometimes, no matter your best efforts, you’ll find yourself stuck in a rut, bored with your work and yourself. At such times, here are a few techniques that may nudge or jolt you out of that mood.
More than two thousand years ago, the strategist Sun Tzu wrote that the warrior skilled in indirect warfare is as inexhaustible as Heaven and Earth, as unending as rivers and streams, and passes away only to return like the four seasons.
A frequent question, especially among self- and small press-published authors, is how books get into libraries, and what authors can do to help. Today, guest blogger and public librarian Abigail Goben explains how libraries choose the books they purchase–and what authors should (and shouldn’t) do to play a part in that process.
Dr. Grasshopper explains the medical improbabilities and impossibilities in Dollhouse. The concern isn’t just bad science, it’s also that real people might become afraid of medical procedures due to the misinformation.
I’m happy to announce a new feature on the SFWA blog, “How to Kill Your Imaginary Friends: A writer’s guide to diseases and injuries, and how to use them effectively in fiction” written by Dr. Grasshopper.
