by Caren Gussoff Note: Part One appears here: Lit Fic Mags for Spec Fic Writers 101. Part Two appears here: Lit Fic Mags for Spec Fic Writers 102: Is It Literary? ••• Now, you’ve decided to submit to a literary market for a particular story. You’re hip to the fundamental differences between lit mags and SFF mags […]
by Caren Gussoff Note: Part One appears here: Lit Fic Mags for Spec Fic Writers 101 This may seem totally obvious, but is actually worth a deeper dive: if you want to market your speculative fiction to literary markets, it has to be significantly literary. Literary markets, though they may protest that they do not like/accept/read […]
by Caren Gussoff I’ve sat in a lot of panels — and eavesdropped on a bunch of conversations — lately, in which genre writers have asked, debated, and/or mused about crossing over from SFF magazines and journals into straight-up literary fiction ones. Seems to many, and I agree, that the notorious snobbery and befuddlement of […]
This manual is intended to focus on the special needs of the science fiction workshop. Having an accurate and descriptive critical term for a common SF problem makes it easier to recognize and discuss. This guide is intended to save workshop participants from having to “reinvent the wheel” (see section 3) at every session.
If your writing features a richly detailed universe, full of names, places, and historical events, you may want to explore using a wiki to chronicle it. A wiki’s structure allows intricate details to be recorded in a way that both preserves it in an easy to locate fashion but also allows devoted fans to browse the longtime story of your work.
There’s a difference between being a writer and wanting to be a writer. There are plenty of conversations about it, about whether payment, time spent, or day jobs land you on either one side or the other. But the consensus seems to be one major thing: writers write.
Too often the burden of “genius” is placed on the fragile shoulders of individuals trying desperately to create, to live up to expectations, to outdo their own previous creations, and to essentially justify daring to call themselves artists (or writers, or musicians, etc.) to begin with.
It’s 2130 on a Saturday night, and I’m alone in my apartment, in front of my laptop.
I can’t shake the feeling that there’s some amazing party, filled with fascinating people, somewhere nearby. Artists and intellectuals and adventurers, all mixing and charging the air with stories. I wasn’t invited.
et’s say you are sitting at your desk, with something to write, and you notice some anxiety, and an urge to go instead to one of your favorite distractions.
And let’s also say you decided to adopt my approach, the Obstacle is the Path.
Since I can’t tell why, for sure, a story was rejected, I keep submitting to places that meet my minimum requirements. When I run out of places, I put the story in a folder that’s labeled ‘stories I still believe in’ and I review it once in a while.
The Guilds War is part of the past. But not for Sela Tyron. When a deadly conspiracy reveals a chance at vengeance, will she betray those closest to her? Legacy is the fourth book in the Allies and Enemies series, a two-time Dragon Award Finalist.
M. Darusha Wehm is the Nebula-nominated author of the interactive fiction game The Martian Job, seven science fiction novels, several poems, and many short stories. Originally from Canada, Darusha currently lives in Wellington, New Zealand.
Recent Comments