by Kate Heartfield In the late 1990s and early 2000s, I was a dabbler in short fiction. I wrote about one story each year. I’d send that story out once, maybe twice if I felt cocky, and then I’d trunk it, figuring that a rejection or two meant a story was no good. Somehow, despite this method […]
by Aidan Doyle
The Pomodoro Technique is a popular time management system that has helped improve my writing productivity. The technique was developed by Francesco Cirillo and basically involves setting a timer for 25 minutes and focusing on a single task.
by Jason S. Ridler, PhD.
WARNING: This article will not end with me being rich and famous, having a bestseller or a million-dollar movie deal, or even being able to quit my day job. Nor will it instruct you on how to hit those targets. If those are your goals, please, go elsewhere.
by Mary Robinette Kowal
A lot of writers have a goal of being a full time writer. I think there’s this image of your life continuing exactly as it is, except that now your job is writing. Sure, you know you won’t go into an office, but it will be so nice to have no demands on your time, except writing.
Each summer, writers of the fantastic come from all over the world to attend the Odyssey Writing Workshop. Odyssey is one of the most highly respected programs for writers of fantasy, science fiction, and horror.
by Randy Henderson
Happy New Year!
Rather than share events from my past year, I thought I’d offer a bit of encouragement and advice to help with the coming year. While this is aimed primarily at my fellow writers, it also, I think, can be applied to life in general.
Lots of people think, “I should learn a language,” or “I’m going to start exercising soon” … but then don’t actually take action. That’s because they haven’t really committed to getting started. In our minds, we half commit to things all the time.
by Nancy Fulda
If you write stories, this has probably happened to you:
The words are flowing. The plot is exciting. Your characters, faced with overwhelming odds, find themselves in the midst of a difficult and absolutely enthralling situation. It’s the Big, Dramatic Moment of your story – and you have no idea what happens next. The bad guys are too strong, the social pressures are too powerful, the pit is too deep, or your character is too broken. Try as you might, you can’t think of a single way to get your protagonist out of the current crisis.
by Jason Sanford
This has been a tough writing year for me. I finished my first novel only to learn that at this point in my writing career it’s going to be a hard sell. I’ve struggled with short fiction, publishing only two stories this year. I’ve even wondered why I’m writing stories in the first place (which probably ties back with the issues I’ve had with the novel and short fiction). All of this caused me to step back and reflect on my writing career up to this point. And I’ve realized I’ve made just about every mistake an author can make, career-wise.
by Deborah Walker
I’ve written a fair few aliens since reading it, always thinking about that advice, but with an added aspect: stealing blatantly from Mother Nature.
If a hologram said it could save your life, would you trust it? The first in a fast-paced and gripping YA dystopian sci-fi series for anyone who’s ever felt anxious about their life―and their world―on the brink of destruction.
Eli K.P. William is the author of CASH CRASH JUBILEE and the remaining two books of the JUBILEE CYCLE trilogy, set in a dystopian future Tokyo. His translation of the Japanese novel A MAN by Keiichiro Hirano is a bestseller. He is based in Japan.
