By Michael Michel
Regardless of where you end up on the journey known as being a writer, my guess is you want to enjoy the experience. Here’s my recommendation: focus more on the crafter than the craft. As the crafter, you are the instrument through which creativity flows and stories are shared with the world. If you want to be successful, start writing the story you’d love for yourself, first.
by Sandra M. Odell
I love intricate, detailed worldbuilding; it’s the backbone of science fiction and fantasy stories, even those set in the modern era. Sadly, few things make me stop reading faster than the realization that a writer gave more thought to the description of a meal than they did to the how or why an accommodation for a character with disabilities came to be in a story. Inclusion and representation matter, and so do the supports that allow an individual with disabilities to interact with a writer’s world.
by Barbara E. Hill
Because of this diminutive rose-colored darling I learned a lot about life, relationships, and especially about writing.
“But… wait, what? Writing?” you ask. “A donkey taught you about writing?”
Beginning this year, bestselling author George R. R. Martin is funding a scholarship for an Odyssey student. The Miskatonic Scholarship will be awarded to a promising writer of Lovecraftian cosmic horror.
by Paul Jessup
It will probably happen to you. Almost every career for a professional writer hits a snag at some point. Usually after a huge burst of activity and a feeling of momentum, of going somewhere. It comes out of nowhere, out of left field.
by Jeffe Kennedy
It’s apropos that “Lonen’s War,” book one in my Fantasy Romance series, “Sorcerous Moons,” is featured in the first SFWA Fantasy StoryBundle. That’s because the fantastically smart and helpful folks in SFWA helped me out with a worldbuilding challenge.
by Tim Susman
Since it’s fall and ghosts are in the air, I thought it might be a good time to talk about my research into vodou/voodoo, the religion and spiritual practices that coalesced on Haiti among the African slaves there and spread to America, most commonly and famously in New Orleans (for the purposes of this article, I use “vodou” to refer to the Haitian religion and “voodoo” to refer to the New Orleans practices).
by Douglas Smith
Eventually, I came to understand these stories were transcribed from versions people remembered being told when they were young or used to tell their children. Story telling was an oral tradition.
By Anatoly Belilovsky
Dear Editor,
Submitted herewith for your kind consideration is “My Little Tale,” a flash piece of 750 words. The author, a SFWA member, hopes you find it suitable for publication in “Awesome Stories.”
by Erica Satifka
According to the World Health Organization, one out of every four people will be affected by mental illness at some point in their lives. Considering this, it’s important to not only feature characters with mental illness prominently in one’s writing, but to treat the subject with sensitivity and accuracy.
A sensory bending speculative anthology that delves into the exquisite processes of excess, Extrasensory Overload contains 54 artfully-crafted pieces of poetry, fiction, and flash by a talented and diverse cohort of internationally renowned writers.
Henry Chebaane is a writer, producer, director, designer. His creative work can be seen in films, hospitality concepts, location-based entertainment and music production. The Panharmonion Chronicles is his first graphic novel series.
