If the main character is sympathetic and interesting, the reader will root for her and want to see what happens. If some of the particularities of the character and problem are surprising to the readers, it will generate more interest than if it’s something they’ve seen many times before.
You are cordially invited to join the Milford SF Writer’s Conference, held at the Trigonos Centre in Snowdonia, Wales.
Have you thought about starting with a bang right away? Or does your story want another hook before you roll the main one out on the stage?
Building stories is like building houses. Yes, you need a foundation, walls, and a roof, but holy cow–look at all the variations that are possible AND successful given those basic requirements!
Along every step of the way, readers need to be surprised, not about everything, but about enough of the particularities of the problem, character, actions, reactions, and resolution that it prevents the reader from knowing what WILL happen.
Our job as writers is to create a narrative that evokes this desired experience in the reader. Yes, we have to be passionate about our story. Yes, it’s an art and is complex and sometimes feels a bit mystical. But we can’t let that make us forget the fact that the ultimate purpose of the story is to guide the reader through an experience.
Even in the reaction stage we can include conflict and surprise. Maybe after our team’s setback, they regroup and discuss what they’re going to do now. This is a fine time to allow the varying motives of those on the hero’s team conflict.
We solve all sorts of problems on the first or second try in real life. We keep tension down. But with stories we don’t want to eliminate tension. We want to build it.
Let’s say water starts dripping out of the light fixture right above your kitchen table. Maybe the wiring in the light starts to spark. What do you do?
I’m usually a bit reluctant about using writing prompts that are offered to a group because of the danger of similarity in stories and because a given prompt may or may not interest me personally. The Wikipedia Prompt Trails approach appeals to me because it offers individually-tailored prompts instead, avoiding both problems.
The Parada had been lost for almost 200 years before they recovered the ship, drifting in interstellar darkness, and brought her home again.
But that was not the miracle.
The miracle was that the crew was still alive.
That was also the problem.
Cath Schaff-Stump writes speculative fiction for children and adults, from humor to horror. You can find her at Facebook, Goodreads, Amazon, @cathschaffstump, and cathschaffstump.com.
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