by Matthew Broberg-Moffitt If you are a writer and an avid Twitter user, you may be familiar with the term #OwnVoices and pitch events such as #PitMad and #DVPit. There is some measure of controversy in the writing community regarding the use of the #OwnVoices qualifier. The term was originally coined by writer Corinne […]
by J.D. Harlock Sometimes, outlining is a never-ending struggle. Too much? Too little? You can never really tell until you finally start writing that first draft. That may seem like a stretch, but keep in mind that for a good many writers, the outlining process stretches way past the planning stages and well into the […]
by Priya Chand All narrators are unreliable. If you’re reading this thinking “hey, you’re misusing the term; ‘unreliable narrator’ refers to a specific convention”–well, I’m narrating this post, so what follows is all my interpretation! I do, though, genuinely mean to say that all narrators sell readers on a specific version of events and […]
by C.K. Larsen Surely, nothing screams sexy like a bisexual+ woman asking, “How does it feel to kill someone?” Cue the eye roll. Sharon Stone’s persona in Basic Instinct depicts an openly bisexual+ character who is revealed as a violent, sex-craving psychopath, and is just one of the many cases of harmful tropes that […]
by Gillian Polack It’s suddenly harder to make a living as a writer. It was never easy. Setsu Uzumé recently wrote on the possibility of obtaining grants from regional or local governments. This article will walk you through some of the steps to get a local or regional government grant. I am Australian, so […]
Kathleen Ann Goonan (b.1952) died on January 28 after a lengthy battle with myelofibrosis. Goonan began publishing science fiction with the stories “The Snail Man” and “Wanting to Talk to You” in 1991. Her first novel, Queen Jazz City, kicked off her four volume Nanotech series, which included the Nebula nominated novels Crescent City Rhapsody and Light Music. In […]
by Karintha Parker (This article originally appeared in The SFWA Bulletin #215.) Like so many others connected to this [small-yet-all-consuming] publishing industry, books were my first love. Legend has it that a tiny version of me set eyes on my first library and yelped “oh, Mommy, all these books are for me?!”, convinced that somehow […]
by Noah K. Sturdevant It seems fair to say that authors are constantly scrambling for time to write. I previously wrote about managing this with a baby, and I thought I had things covered. Now I have a two year old. Who knew that a person lacking reason and driven by impulse and the […]
by Henry Lien (This article originally appeared in The SFWA Bulletin #215.) Something I’ve noticed repeatedly in my author appearances, conference panels, and lectures is that discussions about representation and diversity in the arts today focus on the importance of diverse characters and creators. As crucial as that is, diversity can and should also include […]
by Evan Winter (This article originally appeared in The SFWA Bulletin #215.) Not long ago, I was asked where traditional publishing spaces are failing self-published writers, and I think I may have an answer: everywhere. This is because traditional publishing spaces aren’t structured in form or objectives to value the needs of self-published writers and […]
A mysterious platform appears off the South American coast overnight. Science journalist and popular TV host Sahalie Spark is sure it’s no oil rig. It’s the world’s first space elevator, and despite dangers she’s about to make the first ascent.
Pat Murphy is an acclaimed author of science fiction, fantasy, and science books for adults, teens, and children. She was the Activity Guru for the ed-tech startup Mystery Science and the Marketing Director for the Crucible, a school of fire arts.
