by Sally Wiener Grotta
I write to understand. My characters and plots are formed in a subconscious that churns with confusion or concern about how the world functions (or fails to function). As I write the story my characters tell me, I find myself posing questions that “reflect and even explain the differences and forces that relate them all… hold them together… or tear them apart.” The journey is what matters to me.
by Ethan Ellenberg
Now we are in a whole new world. There are different ways to be published and author incomes are coming from a far wider range of sources. The standard book agreement that routinely grants the mainstream book publisher a license for the ‘term of copyright’ has to be re-considered.
A class action suit for violation of copyright, first filed in 2001, has finally brought checks to writers. The initial settlement in the case, the Literary Works in Electronic Databases Copyright Litigation, was approved in 2005, followed by more years of litigation.
The ArmadilloCon Writing Workshop will take place at the Omni Southpark on Friday, August 3, 2018. This full-day workshop is presented in conjunction with ArmadilloCon 40, Austin’s literary science fiction and fantasy convention. The Workshop is ideal for new and emerging writers but is open to all.
The New England Science Fiction Association (NESFA for short) is running a writing contest. Prizes include free books, and a grand prize of a free membership to Boskone.
SFWA’s Contracts Committee has recently been seeing a proliferation of contracts from small magazines, and a very few established markets, that license all derivative rights in perpetuity. This is a red flag for a number of reasons, even if these rights are licensed non-exclusively
by Gargi Mehra
Writing when you’re in full flow is like living a dream. Who doesn’t love that feeling when the words spill out faster than you can type them? If you’re old school, the scratch of the pen as it flies over the pages struggles to keep pace with your thoughts.
The reverse scenario keeps writers awake at night.
by Nick Wood
There are costs to illness and disability. This is not an uncommon scenario amongst writers–see my list of blogs below on writing through various disabilities.
by R J Theodore
I was unprepared for the wall of celebration, creativity, and acceptance I felt when I walked into the midst of a crowd of storytellers at my first SFWA Nebula Conference in 2017.
by John Walters
I am a hybrid author, which means that I self-publish books and also publish short stories in traditional venues. Last night I was engaged in what I call marketing. Several of my stories had come back unsold from magazines and anthologies, and rather than having them sit around, I wanted to send them back out to other possible markets.
The crew of the Ghost finds themselves in the middle of it again. Hired to escort the CEO of Tralgot to a super-secret summit of the galaxy’s mega corporations, they end up in a corporate war no one wants.
Nick Wood is a South African-British clinical psychologist and Science Fiction (SF) writer, with over two dozen short stories published previously. Nick’s debut novel was AZANIAN BRIDGES and his next novel, WATER MUST FALL, is due in April, 2020.
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