by Gillian Polack It’s suddenly harder to make a living as a writer. It was never easy. Setsu Uzumé recently wrote on the possibility of obtaining grants from regional or local governments. This article will walk you through some of the steps to get a local or regional government grant. I am Australian, so […]
Kathleen Ann Goonan (b.1952) died on January 28 after a lengthy battle with myelofibrosis. Goonan began publishing science fiction with the stories “The Snail Man” and “Wanting to Talk to You” in 1991. Her first novel, Queen Jazz City, kicked off her four volume Nanotech series, which included the Nebula nominated novels Crescent City Rhapsody and Light Music. In […]
by Karintha Parker (This article originally appeared in The SFWA Bulletin #215.) Like so many others connected to this [small-yet-all-consuming] publishing industry, books were my first love. Legend has it that a tiny version of me set eyes on my first library and yelped “oh, Mommy, all these books are for me?!”, convinced that somehow […]
by Noah K. Sturdevant It seems fair to say that authors are constantly scrambling for time to write. I previously wrote about managing this with a baby, and I thought I had things covered. Now I have a two year old. Who knew that a person lacking reason and driven by impulse and the […]
by Henry Lien (This article originally appeared in The SFWA Bulletin #215.) Something I’ve noticed repeatedly in my author appearances, conference panels, and lectures is that discussions about representation and diversity in the arts today focus on the importance of diverse characters and creators. As crucial as that is, diversity can and should also include […]
by Evan Winter (This article originally appeared in The SFWA Bulletin #215.) Not long ago, I was asked where traditional publishing spaces are failing self-published writers, and I think I may have an answer: everywhere. This is because traditional publishing spaces aren’t structured in form or objectives to value the needs of self-published writers and […]
We know what you’re thinking. As soon as you saw that scary word—legacy—your brain turned left at Albuquerque and kept going: “I’m too young to die!”[1] “I’ll think about that tomorrow, because tomorrow is another day.”[2] “Not now, Elaine. Not now! Can’t you see I’m talking to the Man?”[3] The Legacy Kit was created in […]
by Hannah Abigail Clarke In the opening credits of Zach Snyder’s Watchmen, the phrase LESBIAN WHORES is briefly scrawled in blood on a wall. The lesbian couple from whom said blood was extracted lie adjacent, lifeless in lingerie. The lesbians here exist to display death. Death binds the lesbians to this opening credit spot, allowing […]
by Margaret Kingsbury Writing articles for websites can turn into a nice side income and can even become a main source of income if you’re consistent in generating new ideas and pitching them to editors. Many websites are dedicated to science fiction and fantasy nerdom, with editors constantly looking for new content to publish. This […]
by Tim Waggoner The horror genre is undergoing a renaissance these days, with audiences devouring popular and critically acclaimed books, movies, and television series. If you’re a science fiction or fantasy writer who’d like to add more horror to your authorial toolbox, but you’re not quite sure how to go about it, you’re in […]
Levort Aatra is a prospector on the planet Tayoxe. While scavenging the wastes of the abandoned world, he discovers a mysterious starship and stakes his claim on it. Little does he know, he just put a big target on his back.
Eli K.P. William is the author of CASH CRASH JUBILEE and the remaining two books of the JUBILEE CYCLE trilogy, set in a dystopian future Tokyo. His translation of the Japanese novel A MAN by Keiichiro Hirano is a bestseller. He is based in Japan.
