by Paul Jessup
It will probably happen to you. Almost every career for a professional writer hits a snag at some point. Usually after a huge burst of activity and a feeling of momentum, of going somewhere. It comes out of nowhere, out of left field.
by Amber Massey
There’s a zen phrase that asks, “If a tree falls in the forest and no one is around to hear it, does it make a sound?” For writers, here’s a different question: If you write a story and no one is able to read it, have you really told it? Typography and fonts have a big impact on readability.
by Jeffe Kennedy
It’s apropos that “Lonen’s War,” book one in my Fantasy Romance series, “Sorcerous Moons,” is featured in the first SFWA Fantasy StoryBundle. That’s because the fantastically smart and helpful folks in SFWA helped me out with a worldbuilding challenge.
by Tim Susman
Since it’s fall and ghosts are in the air, I thought it might be a good time to talk about my research into vodou/voodoo, the religion and spiritual practices that coalesced on Haiti among the African slaves there and spread to America, most commonly and famously in New Orleans (for the purposes of this article, I use “vodou” to refer to the Haitian religion and “voodoo” to refer to the New Orleans practices).
by Douglas Smith
Eventually, I came to understand these stories were transcribed from versions people remembered being told when they were young or used to tell their children. Story telling was an oral tradition.
By Anatoly Belilovsky
Dear Editor,
Submitted herewith for your kind consideration is “My Little Tale,” a flash piece of 750 words. The author, a SFWA member, hopes you find it suitable for publication in “Awesome Stories.”
by Erica Satifka
According to the World Health Organization, one out of every four people will be affected by mental illness at some point in their lives. Considering this, it’s important to not only feature characters with mental illness prominently in one’s writing, but to treat the subject with sensitivity and accuracy.
Welcome to the September edition of the SFWA Pro-rate Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA.
by Bonnie Jo Stufflebeam
Low Residency MFA’s in Creative Writing offer students a chance to study and practice writing without having to move or quit their jobs. There are more than sixty such distance-based programs in the U.S. and Canada.
by Mary Rosenblum
How can I advertise my book with photos?
I hear that all the time when I suggest Instagram to author clients, followed by the sound of the exit door slamming on the author’s heels…
But Instagram is a huge and well established social media platform, and if you’re writing for teens through mid-twenties readers, this is the social media you want to master. Even Forbes Magazine has taken note of Instagram’s role with an article Can Instagram Keep People Reading Books?
Four sorcerers—a former courtesan, a duelist, a metalsmith, and an illiterate youth—hire out their extraordinary talents to Cantagna’s Shadow Lord for missions of intrigue that ungifted spies would find impossible. They call themselves the Chimera.
Susan Forest is an award-winning editor and author of over 25 short stories. Bursts of Fire (Publishers Lunch Selection), first in her 7-book Addicted to Heaven series, confronts issues of addictions in an epic fantasy world of intrigue and betrayal.
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