by R. K. Thorne Worldbuilding is a fun aspect of writing fantasy and science fiction. It is so tempting to get lost in drawing maps, hoarding pictures, plotting lineages, or researching how that awesome weapon system could actually work. Our efforts often focus on geography, history, and politics. But part of worldbuilding should be envisioning […]
by Gabriel Murray We tend to remember our first brushes with the imaginary vast: when we read our first children’s portal fantasy, were enchanted by the animated world of our first Studio Ghibli film, or got lost in our first strange, endless game map. As writers, we often want to bring our own readers there […]
By R J Theodore An author promoting their upcoming release might feel like Sisyphus, because the effort to keep people aware of your book is neverending. When you let up on promotion, you and your boulder wind up back at the bottom of the slope. When you do benefit from a flash of attention, you […]
by Marie Brennan Recently, I’ve seen a number of online discussions about stories without conflict, especially stories from outside the Western narrative tradition. I’m not the right person to discuss those specific approaches, but listening to the conversations has made me realize how narrow a definition of conflict my teachers presented to me. If your […]
By Kim Fielding Until fairly recently, it was impractical for most self-published authors to produce audiobooks. Now, however, almost anyone can easily produce a high-quality one. This is good news, because audio constitutes a significant—and profitable—portion of the publishing market. According to IBISWorld, the audio market grew 8.1% between 2017 and 2022, and is now […]
By Lorraine Wilson Statistics are easy to quote, but difficult to connect to, don’t you think? It’s easy to say that 20% of people in the UK are disabled, but within publishing we account for only 5%. To say migraines are, according to the World Health Organization, the sixth highest cause of “Years Lost to […]
Please consult the guidance that follows from the Authors Guild, one of SFWA’s sister organizations, on a significant United States tax-reporting change that many independent authors have shared concerns about since January 1. That’s when Audible/ACX changed their tax-reporting practices for royalties from audiobook productions, by including royalties for both authors and their audiobook narrators […]
By Kathy Flann We think of humor as something that just … happens. Yet, as someone who writes both humor and fiction, I’ve learned that each is a distinct craft with challenges that can multiply when combined—not unlike when Ray, Peter, Winston, and Egon cross the streams in Ghostbusters, risking total protonic reversal. Okay, maybe […]
By Maria Haskins Writing flash fiction—commonly defined as a story of no more than 1,000 or 1,500 words—can seem daunting at first try. Or addictive if you’ve already caught the flash-writing bug. These tips are based on my love for flash as a reader and writer, and I want to emphasize that they are tips, […]
By Jeff Somers It’s often noted that in baseball, making an out 70 percent of the time is considered all-star play(1). Although every writer’s experience will be different, writing often seems to offer a similar success ratio in terms of failed stories. Sometimes that failure also comes fast, which gives you the opportunity to start […]
Val Vega is an ordinary Puerto Rican high school student until she gets drafted by aliens to serve as ambassador of the primitive planet called Earth! Two Galactic empires are on the brink of war, and only Val can salvage interstellar peace.
Matthew Wayne Selznick is a Southern California author, indie publisher, and author consultant working in a variety of storyworlds and genres. His latest novel is the fantasy thriller LIGHT OF THE OUTSIDER.
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