Interstellar space travel. We dream about it. We write about it. Science fiction writers have come up with all manners of interstellar travel, ranging from multigenerational arks, to wormhole generating warp drives that can spit you across the galaxy in a blink of an eye. As wondrous and amazing as all these approaches may be, most suffer from a very fundamental problem.
As an author, it’s important for you to know how to sell and market your book. Because there is no shortage of books and articles on the subject, I’d like to tackle the subject of marketing your book from a more metaphorical approach. (If you’ve ever heard me speak, you should know I’m pretty big on metaphors to help you better understand topics in a different way.) In your case, I feel that it’s not only important to understand how to sell, but also understand a little bit more about a typical sales cycle.
Imagine you’re a new writer. You’ve just completed your first manuscript, and are on fire to get it published. You don’t know a lot about the publishing world, or how to identify a good publisher for your book–but that’s okay. You have the Internet. So you open a search engine–Google, let’s say–and type “publishers” into […]
There are few things that can destroy a good story faster than a bad reading. At the same time, a really good reading can make an audience excited and drive sales. Short of a background in theater, how can authors improve their reading skills?
A Massachusetts Superior Court judge has awarded costs and attorneys’ fees to Ann Crispin and Victoria Strauss, the principal operators of the Writer Beware website, soundly rejecting a frivolous lawsuit filed by a purported literary agent.
Today the board of directors of SFWA unanimously voted to add Apex Magazine to the list of SFWA qualifying markets. When Apex moved online in June of 2008, one of editor Jason Sizemore’s reasons was to be able to pay his authors SFWA pro-rates and to get them a wider audience.
Today, thanks to the internet age, it is no longer necessary to pore over pages of microscopic script in order to learn where to submit your fiction. There are a number of online venues that specialize in providing just such information. Allow me to share some of my favorites.
It’s the nature of writers to fall in love with words, particularly their own. Clever turns of phrase excite us; we beam like proud parents when our protagonists take on lives of their own; a shapely plot twist can turn our heads. There is nothing wrong with indulging in the occasional fling-as long as it stops in draft. When time comes to make that final revision, however, you must harden your heart, sharpen the ax and murder your darlings.
From March, 1986, until its untimely demise in February, 1989, I was the Editor-in-Chief of Rod Serling’s The Twilight Zone Magazine, and Editorial Director of its “twisted sister” publication, Night Cry. During that time, we received an average of one hundred manuscripts per week, in addition to a backlog of more than 2000 manuscripts left behind by my predecessor.
Article by science fiction writer Vonda N. McIntyre on manuscript preparation for SF/F genre fiction authors.
Reese Eddings has enough to do just keeping her rattletrap merchant vessel, the TMS Earthrise, profitable enough to pay food for herself and her micro-crew. She doesn’t remember signing up to tangle with pirates and slavers over a space elf prince…
Karen L Azinger is the author of epic medieval fantasy, The Silk & Steel Saga. The first five books are published and getting great reviews, The Steel Queen, The Flame Priest, The Skeleton King, The Poison Priestess and The Knight Marshal.
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