There’s nothing like writing during adolescence. The intensity, focus, and emotional strength that such a writer brings to her/his work is, like a map frozen in time, sharply delineated and can’t be captured except as a memory of once walking in those lands.
When I’m teaching, I do bring some books to class in order to point students toward them. I don’t think books are a substitute for the act of writing, but they can help focus and direct your practice and give you a list of things to work on that might not otherwise occur to you. Here’s a list of my top ten for speculative fiction writers focusing on their craft. I was sad to find some not available on the Kindle, but where possible, I’ve pointed to the e-version.
It’s one thing to say that something bad is going to happen. It’s quite another to know that kidnappers are going to cut your finger off with a pair of wire cutters. It’s one thing to have someone say something good will happen (Chinese fortune cookie) and quite another to say your uncle just died and left you a million dollars, but you have to fight your three cousins for it.
With this post we begin looking at the key conditions that build reader suspense. Stories are made up of four main ingredients: character, setting, problem, and plot. All of these are important, but problem is the engine that makes suspense go.
Sometimes it feels like there are a thousand things to remember when writing a story. New writers who make lists of these things soon begin to drown in them. But I’ve come to realize that many of these “rules” don’t matter.
Key PROBLEM conditions for reader suspense o Part 1 – It’s all about the reader o Part 2 – The 3 Problem Types o Part 3 – It’s gotta be difficult o Part 4 – Uncertainty Key CHARACTER conditions for reader suspense o Part 5 – Character troubles o Part 6 – Character deservingness o […]
A week or so ago, I asked a bunch of writers to share some of the best advice they’ve received and how they’ve used it. At the same time I asked them to share some of the worst, the weirdest, or the least helpful advice they’ve encountered over the years.
People once learned from one another what was worth knowing and doing, and the best of these memes worked their way through the population like a unending game of telephone. It was only with the advent of mass communication technology like printing, radio, and TV that a select few became able to easily influence great numbers of people. But with social media those select few are now finding themselves increasingly drowned out.
Posted by Victoria Strauss for Writer Beware
Many of the writers who contact me with Writer Beware-type questions seem to be convinced that the process of getting published is equivalent to a crap shoot. There are enormous numbers of people trying to …
Today the board of directors of SFWA voted to add the magazine Would That It Were retroactively to the list of SFWA qualifying markets. When Would That It Were began publishing in 2000, online magazines were in their infancy. The market criteria at SFWA was geared toward print magazines and at the time there was some […]
In 2049, nobody can have kids. Well, almost nobody. And nobody knows why. So I’m a real rarity. A real girl. Most kids are just robots. Good enough to fool the maternal instinct. Good enough to stop the riots. Good enough to play with. Sometimes.
Two-time Prix Aurora Award finalist and winner of The Galaxy Project, Forest’s stories appear in Analog, Asimov’s, OnSpec, Beneath Ceaseless Skies, AE SF Review, and her collection, Immunity to Strange Tales. She edits for Edge Press.
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