by John Walters
When we experience setbacks as writers, especially one after the other seemingly with no end in sight, how do we keep from becoming overwhelmed with despair? Here are a few things that work for me that I hope you find helpful.
by Stephen Sottong
One of the problems when writing any SF story is keeping the technology reasonable enough that the reader can suspend their disbelief and focus on the story rather than being rudely pulled from the plot by preposterous violations of the laws of nature.
by Lauren Roux
We wanted to reach out to the Science Fiction Writers of the world and offer up our expertise to answer any questions you might have about the regolith on the Moon, some of the ices that might be there, and what it’s like to actually handle the lunar soil that is not only dry, but statically charged.
News from Odyssey Writing Workshops Charitable Trust.
by Kevin L. O’Brien
It should be pointed out that while it is easy to pattern a quasi-medieval fantasy society after medieval Europe, European society of the Middle Ages didn’t just appear out of nothing. It grew from antecedents and so was based on a foundation of varied traditions, and there is every reason to believe that a fictional society would be the same way.
by Clay Johnson
I’ve never been good at outlining before I write. If I know where the story is going, then the fun part is already done, and the writing becomes a chore. But this new thing, where I tell her a chapter, then think on it, smooth out the edges, and write it down, forced me into a mid-range style of outlining that really works for me.
by Brenta Blevins
Invention is, simply, the process of identifying what to write. But, whether you’re new to writing or a prolific pro, invention doesn’t always feel simple when you’re stuck on a blank page or screen.
by Paul Jessup
Monsters and genre fiction go hand in hand. Or rather, claw in claw, if we’re being cheeky about it. From the mad science creations and aliens of science fiction, to the supernatural and mythic of fantasy and horror, there are monsters everywhere, even from the very start.
by Kevin L. O’Brien Welcome to Part Two of a series that examines technology and medieval machines that can be used in worldbuilding. In the first post of this series, I described how a quasi-medieval society could smelt all the iron it needed to generate and sustain an industrial revolution. However, while it could […]
by Katherine Quevedo
A lot of discourse these days builds up the case for why the world needs more empathy. It’s not a hard case to make. When placed against the backdrop of artificial intelligence (AI) and the possible technological singularity, I believe empathy could become a source of competitive advantage for our species as a whole.
Eliza McKay is a disgraced underground hacker trying to take back her career one dangerous job at a time. When rich or important people get stuck in the Swim it’s McKay’s task to quietly extract them.
R. B. Lemberg is a queer, bigender immigrant from Eastern Europe & Israel. Their debut Birdverse novella, The Four Profound Weaves was nominated for the World Fantasy, Locus, Nebula, and Ignyte awards.
