by Paul Jessup
Ever since I first started taking writing seriously as a teenager, I’ve always written to music. Back then it was a bit more difficult than it is now, in the days of Spotify and gigantic playlists that can stretch on for hours or even days. Back in those days I would make mix tapes for my writing, each story and scene would get its own mixtape of songs that I felt carried the tone and the emotion of what I’m trying to convey.
by Chris Sumberg
The phrase “clear as a mountain stream” gets splashed around pretty loosely, sometimes in reference to clear writing but also in reference to the sometimes not-at-all-clear names of actual bodies of water, clear or otherwise. When you take time to examine the hard, cold facts, it makes you wonder if writing that is as clear as a mountain stream is, in fact, very clear at all.
by E. D. E. Bell
As a former engineer, data analyst, strategic advisor, and manager who entered the fiction writing and fiction editing world not too far apart and not so long ago, I’ve had to come up to speed quickly on concepts and best practices that a lot of editors my age have been practicing a long time.
by Deborah Walker
I don’t find productivity to be a one size fits all discipline. Sometimes a theory or technique just doesn’t resonate for me. For example, I’ve never got on with the Pomodoro technique, but some authors love it. I listened to a podcast recently where a motivational speaker was very insistent that if you don’t have goals then you can’t achieve anything worthwhile. Goals aren’t for me. I’d rather define processes rather than goals. I’ll write every weekday rather than I’ll finish a novel in a year. Many productivity experts swear by meditation, but I don’t care for it. The best advice for techniques is to try them on for size and see if they fit.
by Hunter Liguore
When it comes to writing, especially the novel, we can never give up! We’re essentially running our own ‘ultra-marathon.’ Looking at a runner who will traverse 100 miles over 30 hours, we must see the significant amount of training that went into this. Considering the above scenario, this ultra-runner must’ve spent at least half to a full year of deliberate planning/training just for this one race.
by Filip Wiltgren
I’m a quitter.
I’ve quit school five times, quit jobs, quit my freelancing career, quit clubs, sports, diets, pretty much everything except relationships, which get quit for me. In short, I’m an expert at quitting.
by Paul Jessup Believe it or not, I hammered out the first draft of this post on a typewriter. Gasp! Shock! Cue the fainting couch! How could I do such a thing? This day in age? Why that’s madness! And yet, I did it and I will probably continue to write just like this with […]
by Matthew Reardon
The first thing we can hope is that there haven’t been criminal acts, sabotage or other, committed on the ISS. Because the relevant space law is a bit of a mess currently, and without any precedent, it could turn into a muddle that would hinder our expansion into space for a long time.
News from Odyssey Writing Workshop: Now in its 24th year, the Odyssey Writing Workshop is widely considered one of the top programs in the world for writers of fantasy, science fiction, and horror. Acclaimed authors, editors and agents serve as guest lecturers, and 59% of graduates have gone on to be professionally published. Among Odyssey’s graduates are New […]
by John Walters
When we experience setbacks as writers, especially one after the other seemingly with no end in sight, how do we keep from becoming overwhelmed with despair? Here are a few things that work for me that I hope you find helpful.
Return to the world of the New York Times bestselling Arc of a Scythe series in these stories by Neal Shusterman, David Yoon, Jarrod Shusterman, Sofía Lapuente, Michael H. Payne, Michelle Knowlden, and Joelle Shusterman.
D. J. Adamson work ranges from published literary short stories, mystery novels, and psychological thrillers, to science fiction. She publishes a monthly review online magazine: Le Coeur de l’Artiste.
