By Piper J. Drake Earlier this year, an author of color announced the acquisition of her new historical romance series. In direct reply to her tweet, someone publicly questioned the historical accuracy of the series. The author of color was prepared because she knew she would be challenged about “historical accuracy” and she provided an […]

by Hannah Abigail Clarke In the opening credits of Zach Snyder’s Watchmen, the phrase LESBIAN WHORES is briefly scrawled in blood on a wall. The lesbian couple from whom said blood was extracted lie adjacent, lifeless in lingerie. The lesbians here exist to display death. Death binds the lesbians to this opening credit spot, allowing […]

Writing ‘POC’ is not enough. It doesn’t merit applause, or points for diversity. What does merit applause and accolades is acknowledging and depicting unreduced minorities—especially marginalized voices—in writing. We are not a monolith. Our stories are as complicated and intersectional as anyone else’s.

by Leanna Renee Hieber

I’m often asked if my professional theatre and playwrighting background helps me as a fiction writer. It does in countless ways. Theatrical form, training and structure are holistically integrated into how I see the world and operate as a storyteller.

by Katherine Quevedo

Looking for unconventional, potentially striking ways to explore what it means to be human in your writing?  It may seem counterintuitive, but personification—ascribing human qualities to inanimate objects—can open new avenues to plumb the depths of human experience.

Registration is now open for the transformed professional development conference.

The Science Fiction and Fantasy Writers of America (SFWA), today unveiled the virtual home for SFWA’s 2020 Nebula Conference Online and showcased features of the upcoming professional development conference for science fiction and fantasy writers.

by Martin Jenkins

One of the pleasures of genre is that it lets us identify a type of writing that we know we like. We’d feel short-changed if a crime novel didn’t feature a crime, after all, or if a romance didn’t put the travails of a relationship front and center. What we don’t want to see, however, is a mere repetition of genre tropes and clichés – it’s what is fresh and different in a work of fiction that keeps us turning the page while still being identifiably a genre work.

Welcome to the February edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA.

by Setsu Uzumé

From Kickstarter to ko-fi to patreon, the search for funding can be a huge challenge. I recently attended a lecture provided by the St. Louis chapter of the Volunteer Lawyers and Accountants for the Arts on the subject of applying for grants. Some of the most basic hurdles include finding grants that might be a good fit for your work, and how to prepare your materials in a way to make it easy for the folks reading your submission.

Welcome to the January edition of the SFWA Market Report.