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Tips and Tricks For Writing Audio Drama

By Katie Gill In recent years, audio drama has made a comeback in the form of narrative podcasts, which have gone from relative niche to mainstream markets. Audio drama series have been adapted into successful books, seen financial success on…

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New Resources on Safety for the SFF Community

We’ve recently published a new set of webpages, the Safety Resources, on the SFWA website here. These resources contain useful information for creators maintaining an online presence and touch on safety considerations for in-person events for both attendees and event…

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Stop Multitasking

By Cat Rambo I am here to say: Stop multitasking. Yes, I understand its appeal. Like many writers, I love the idea of multitasking, the notion that one can be doing two things at once, such as driving to work…

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SFWA Market Report – September 2022

Welcome to the September edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA. The markets included on this list all pay at least $0.08/word in…

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Givers Fund Grant Application Deadline: Oct 1, 2022!

The deadline to apply for a 2023 Givers Fund grant is fast approaching! Applications must be completed by 11:59 PM Pacific Time on October 1, 2022. Please share this opportunity with any organizations that you think may benefit from receiving…

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Engaging Educational Markets with Genre Fiction

By Amber Morrell Are you a children’s author wanting to visit schools this school year, but not sure how to make your pitch stand out? When it comes to marketing, most efforts focus on social media. But the target audience…

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THE INDIE FILES: Wide for the Win – Part 1

by John Wilker Self-publishing. You have choices. One of the best parts of being an indie author/publisher is control. You are the sole decision maker on where and how your book is available. A lot of first-time authors come into…

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New StoryBundle “Renegades of Tomorrow” Now Available!

Starting today, the Renegades of Tomorrow SFWA StoryBundle is available! This StoryBundle offers a large selection of ebooks from independent and small press science fiction writers, and can be purchased at https://storybundle.com/scifi. It’s only available for a limited time, so…

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Transparency in Slush: The Wizard Behind the Curtain

By AJ Cunder As writers, we’ve all been there: Submittable, Moksha, a proprietary submission system, or even just a submission email. The cover letter’s been written, the story uploaded, and we’re waiting to hit that mysterious Submit button, wondering what…

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Announcing the SFWA Romance Committee!

The SFWA Romance Steering Committee (RSC) formed in Fall 2021. We’re pleased to introduce this new committee, its purpose, and how it can serve our membership and the SFF community! SFWA is powered through the work of dozens of committees,…

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In Memoriam: Herbert W. Franke

Herbert W. Franke (May 14, 1927–July 16, 2022) was an author, artist, and physicist born in Austria. Franke moved from Vienna to Munich after earning his doctorate in theoretical physics. Throughout the 1950s, he published primarily nonfiction, including works on…

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In Memoriam: Eric Flint

Eric Flint (February 6, 1947–July 17, 2022) was an author, editor, publisher, and a member of SFWA. He won the fourth quarter Writers of the Future contest in 1993 and published his first novel, Mother of Demons, in 1997. In…

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THE INDIE FILES: SFWA’s NetGalley Program and You

by Jamie Lackey Everyone agrees that reviews are important for book sales and visibility, but getting reviews can be an uphill battle. Most casual readers don’t bother leaving reviews, and it’s hard to get the attention of new readers who…

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ROMANCING SFF: 5 Ways Fighting and Kissing Scenes Are the Same

by Chelsea Mueller There’s significant power in fighting and kissing scenes. When done well, they’re often reader favorites. Look at how readers talk about stories with excellent fights or swoonworthy sex, and you’ll see them call out these scenes specifically….

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Tired Disability Tropes In SFF: Do Better

By Anessa Kemna  Science fiction and fantasy should be the perfect places for disability representation. Writers make the rules in their worlds. But it’s difficult to find disabled characters and even harder to find quality representation in the SFF genres….

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THE INDIE FILES: Advantages of Independent Publishing

by Michael Edelson I’m old enough to remember widespread use of the term “vanity press,” and although that is thankfully a thing of the past, the stigma attached to self-publishing still persists. But the reality is that the publishing industry…

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Numinous Fantasy

by Gabriel Murray We tend to remember our first brushes with the imaginary vast: when we read our first children’s portal fantasy, were enchanted by the animated world of our first Studio Ghibli film, or got lost in our first…

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Preliminary Observations From An Incomplete History of African SFF

by Wole Talabi Introduction Since 2016, I’ve maintained a database of published science fiction and fantasy (SFF)[1] works by African authors[2] for the African Speculative Fiction Society (ASFS). It is, admittedly, incomplete and limited by my collection methodology, which mostly…

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In Memoriam: Patricia A. McKillip

Patricia A. McKillip (February 29, 1948–May 6, 2022) began publishing fantasy in 1973 with the novel The House on Parchment Street and the novella The Throme of the Erril of Sherill. Over the next few years, she published the award-winning…

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