Archive for the ‘Information Center’ Category

4 Pitfalls To Avoid When Crafting Trans Characters (SF&F Edition!)

By Ashley Lauren Rogers

There are numerous examples of classic science fiction and fantasy stories that deal with gender and what happens when we deviate from expectations of that gender. Include popular shows like Transparent, movies like The Danish Girl, and celebrities like Laverne Cox, Janet Mock, and the politically polarizing Caitlin Jenner–and it’s no wonder that an increasing amount of fiction, including YA, is featuring trans and non­binary characters. So how can writers–especially if they aren’t trans or nonbinary–create such characters?

How Sci-Fi and Fantasy Authors and Publishers Can Take Advantage of Price Promotions

If you’re an author or publisher, price promotions are a powerful way to reach new readers and sell books.

How powerful? In 2015, price promotions on BookBub alone drove sales of over 20 million ebooks — and over 200 of the books with promotions featured on BookBub made it to The New York Times bestseller list.

In this post, we’ll explain how science fiction and fantasy authors and publishers can tap into some of that power and use price promotions to accomplish multiple book marketing goals.

Try Writing Comics

by Sara Ryan

Whatever your situation as a writer, I’d like to encourage you to try writing in the comics format. I keep using the word “format” to emphasize that, as advocates of comics have often been compelled to repeat, “It’s a format, not a genre.” Comics are not just about superheroes, or crime, or memoir, or humor, or romance, or journalism, or realism, or surrealism, or science fiction, or fantasy. Comics can be all those things and more.

Teaching Stuff: At Play With the Universe

by Richard J. Chwedyk

When I started “teaching” the Science Fiction Writing Workshop for undergrad and grad students at Columbia College Chicago, I had no idea what my priorities should be. There’s an obvious plethora of things you want to communicate – a million things you want your students to know. But I wondered: what’s the most important thing for your students to come away with?

The Pleasures of Anthology Editing

by Susan Forest

I like seeing a passage, whether my own or someone else’s, improve with a changed word choice, a question answered, or an idea clarified or extended. To create an entirety—a book—from the discrete stories that make it up, by juxtaposing ideas, styles and emotional content, was a satisfying and creative process that was new to me.

Ten Thoughts About the Business Side of Writing

by Russell Galen

Have an agent. If you feel you don’t need one, find another human being to whom you have no emotional attachments, who knows a lot about the IP business, will tell you the truth, will be a sounding board for your literary and business questions, and will speak to the buyers of your work so that you can keep some distance from them.