by Ian Muneshwar
We’ve all been there. The dreaded-but-anticipated moment when your beta readers return your manuscript draft, and you sift through their comments in search of their praise, reactions, and criticisms.
by Alex Woolf
No one enjoys being rejected. Writers, who are often a touch more sensitive than the average bear, may feel the sting even more acutely. Which is unfortunate, as the daily work of the writer involves rejection on an almost continuous basis.
News from Writing the Other:
Nisi Shawl and K. Tempest Bradford, administrators of Writing the Other online classes, are pleased to announce that their scholarship program, launched in 2016, is now retitled the Vonda N. McIntyre Sentient Squid Scholarship. This name change, in honor of the award-winning and beloved science fiction and fantasy novelist who passed away in April of this year, comes about not only because Vonda was a friend and mentor to both Shawl and Bradford, but also because without her there would be no scholarship fund.
by Alice Speilburg
At the pre-publication stage, as you’re drafting queries and sending off sample pages, an editor at a publishing house and a literary agent seem to serve the same purpose: to legitimize your claim as a professional author, and to set you on the path to publication.
by Noah K. Sturdevant
So you went and had a kid (or another one). Congratulations! Now you’re in the special club, where you may need to write to support your little bundle of joy, but don’t have any time to do so.
by Jeff Reynolds
When I was eight, I wrote my first short story. It was bad, as the writing of an eight-year-old tends to be, full of tropes and endless misspellings. It long ago disappeared into the trash bin of my personal history. But my teacher gave me an A on the work, and I was hooked.
News from The Odyssey Writing Workshops Charitable Trust: Odyssey has been a pioneer and innovator in holding live online classes since 2010. Live class meetings allow a virtual “physical college classroom” experience, in which students can participate in discussions, ask questions, and learn from an instructor who is responsive, in the moment, to students’ concerns, confusions, […]
by Nathan Nance,
So you’re writing SFF, and you’ve got spaceships to design. Engine systems to map. A haunted forest to populate. A talking badger to draw. If you’re not a rocket scientist writing hard sci-fi, how are you supposed to make your version of James S.A. Corey’s Rocinante, you know, fly?
by Dan Brotzel
Genuine idea theft and plagiarism are complete no-nos, of course. But I’m amazed how protective writers of stories, articles and posts can be about ideas that aren’t really worth stealing. Here are a few thoughts on ideation and originality…
by Paul Jessup
Let’s talk about that early stage of the story, when you have that bright gleaming idea in your head, burning brightly. It wants to be born, it wants to come to life. You spend days, weeks, months doing research, laying down pages and pages and pages of notes. Enough to be a small novel in itself. And then you start writing.
A neuroscientist with brain-linking technology is startled by what she sees in her patient’s mind. Phenomena is a story of intrigue, psychological distress, and one scientist’s quest to untangle the mysteries of human consciousness.
M. Garnet (Muriel Garnet Yantiss) lives in Florida with her family, a daughter who is an IT wizard that her covers. Her 67th book coming out this summer, a crime novel with magic––both good and evil. Next book a SciF will follow with aliens & love.
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