by Nancy Fulda
Your post strikes a nerve. It gets tweeted, and retweeted, and blogged about, and linked to. Comments start pouring in, both for and against your position. Your inbox is overflowing. You put other projects on hold.
by Rochita Loenen-Ruiz
To be able to practice our art in a space and time when we are free from thinking of anything else but that practice is a vital and precious good.
There is a recent tendency of some publishers to change their contracts in manners that are decidedly unfavorable to authors. We have had and are having particular issues with indemnity clauses. Griefcom urges all of you to compare any offered contract to the SFWA Model Contract and to ask for changes in any clauses that are non-beneficial to you.
As fiction writers, we talk a lot about humor. We talk about what’s funny. We talk about what isn’t. We talk about appropriate moments for humor, the types of audience best suited to it, and the consequences of attempted humor gone horribly wrong.
How do you ask for a blurb without making a nuisance of yourself? You do your research. Many professional authors have “blurb and review” policies in place on their websites, mostly out of self-defense.
As part of its mission to serve professional genre writers, the Science Fiction and Fantasy Writers of America is pleased to announce that their Contracts Committee has released an updated Model Magazine Contract.
by Sylvia Spruck Wrigley
If I had a week with nothing to do, I would write amazing words. I would write a book. I would write a million words and then dream the story while I slept under the stars and then I would write another million words and the faeries would come out and dance around me and I would make novels like the miller’s daughter spinning gold out of straw.
100YSS is currently accepting submissions for original works and nominations for previously published works July 25 through August 31, 2015. The Public is invited to nominate previously published works.
The Science Fiction and Fantasy Writers of America is pleased to announce that Unidentified Funny Objects, edited and published by Alex Shvartsman, is the first anthology series to join the SFWA list of Qualifying Professional Markets.
100 Year Starship has established the Canopus Award, an annual writing prize recognizing the finest fiction and non-fiction works that contribute to the excitement, knowledge, and understanding of interstellar space exploration and travel.
This anthology contains issues eight through ten of the preeminent e-zine for fantastic furry fiction. Edited by Mary E. Lowd, it features stories by Nina Kiriki Hoffman, Tim Susman, and Michael H. Payne.
Adele Gardner (they/them, Mx.) is a fiction writer & award-winning poet with a poetry collection, Halloween Hearts, from Jackanapes Press and over 475 stories, poems, art, and articles in Analog, Clarkesworld, Strange Horizons, PodCastle, & more.
Register now for the 2024 SFWA Nebula Conference--A weekend of professional development, panels, and networking for ALL genre writers!
