by Carien Ubink It’s important to get reviews, but if you ask in the wrong way, your request might be deleted right away. So here are some do’s and don’ts when asking a blogger or fellow author for a review. Do your research. This means you need to have a good look at the blog/site/profile […]
By Sascha Stronach Note: This article first appeared in The Bulletin #216 in October 2021. Publishing (verb): the act of smashing your head against a wall until you see daylight. Publishing From Outside America (verb): as above, at long range. In the aftermath of CoNZealand, the 78th Worldcon, there was a palpable feeling of betrayal […]
Congratulations, You’ve Published Your Work and You Have Fans (and Critics): So What Do You Do Now? by Amber Benson Note: This article first appeared in The Bulletin #216 in October 2021. Before you can become a creator, you have to be a fan first. As the irrepressible Hannibal Lecter says in the film The […]
by Evan Winter (This article originally appeared in The SFWA Bulletin #215.) Not long ago, I was asked where traditional publishing spaces are failing self-published writers, and I think I may have an answer: everywhere. This is because traditional publishing spaces aren’t structured in form or objectives to value the needs of self-published writers and […]
by Cat Rambo
I’m doing the SFWA Mentor program for my third round now, and in talking with some folks, I thought providing an overview of my process might be useful.
by Cat Rambo
Milestones are markers that show you’ve reached the end of one of these steps. Just as physical road markers tell you how far you’ve journeyed, these milestones help you mark progress.
by Catherine Lundoff
Got a new book coming out? If you need to do all or even some of your own publicity, a multi-pronged approach to getting the word out about it can very helpful. And, if you’re like most writers, your budget is somewhat limited. So let’s talk about what you can do that promotes your work, but keeps that promotion affordable.
by Dan Brotzel
Many writers find it difficult to talk about money, especially if it means asking for more and potentially risking turning down an offer of publication. But writing is a business as well as a passion, and the more cash you can secure for it, the more time you’ll be able to devote to your craft. Here are a few pointers on how to approach the dark art of negotiation…
by Setsu Uzumé
From Kickstarter to ko-fi to patreon, the search for funding can be a huge challenge. I recently attended a lecture provided by the St. Louis chapter of the Volunteer Lawyers and Accountants for the Arts on the subject of applying for grants. Some of the most basic hurdles include finding grants that might be a good fit for your work, and how to prepare your materials in a way to make it easy for the folks reading your submission.
by Alice Speilburg
At the pre-publication stage, as you’re drafting queries and sending off sample pages, an editor at a publishing house and a literary agent seem to serve the same purpose: to legitimize your claim as a professional author, and to set you on the path to publication.
Celestine, the fifth of seven sisters, is the family beauty and a talented musician, but she hides her love for another woman beneath her public persona. She struggles to inspire her fellow citizens once she learns an invasion of her country looms.
Renan Bernardo is a SFF writer from Rio de Janeiro who writes in English and Portuguese. Stories published or forthcoming at Dark Matter Magazine, Simultaneous Times, Life Beyond Us, Three Crows.
Published in English, Portuguese, and Italian.
