by Evan Winter (This article originally appeared in The SFWA Bulletin #215.) Not long ago, I was asked where traditional publishing spaces are failing self-published writers, and I think I may have an answer: everywhere. This is because traditional publishing spaces aren’t structured in form or objectives to value the needs of self-published writers and […]
by Cat Rambo
I’m doing the SFWA Mentor program for my third round now, and in talking with some folks, I thought providing an overview of my process might be useful.
by Cat Rambo
Milestones are markers that show you’ve reached the end of one of these steps. Just as physical road markers tell you how far you’ve journeyed, these milestones help you mark progress.
by Catherine Lundoff
Got a new book coming out? If you need to do all or even some of your own publicity, a multi-pronged approach to getting the word out about it can very helpful. And, if you’re like most writers, your budget is somewhat limited. So let’s talk about what you can do that promotes your work, but keeps that promotion affordable.
by Dan Brotzel
Many writers find it difficult to talk about money, especially if it means asking for more and potentially risking turning down an offer of publication. But writing is a business as well as a passion, and the more cash you can secure for it, the more time you’ll be able to devote to your craft. Here are a few pointers on how to approach the dark art of negotiation…
by Setsu Uzumé
From Kickstarter to ko-fi to patreon, the search for funding can be a huge challenge. I recently attended a lecture provided by the St. Louis chapter of the Volunteer Lawyers and Accountants for the Arts on the subject of applying for grants. Some of the most basic hurdles include finding grants that might be a good fit for your work, and how to prepare your materials in a way to make it easy for the folks reading your submission.
by Alice Speilburg
At the pre-publication stage, as you’re drafting queries and sending off sample pages, an editor at a publishing house and a literary agent seem to serve the same purpose: to legitimize your claim as a professional author, and to set you on the path to publication.
by Dan Brotzel
Genuine idea theft and plagiarism are complete no-nos, of course. But I’m amazed how protective writers of stories, articles and posts can be about ideas that aren’t really worth stealing. Here are a few thoughts on ideation and originality…
by Daniel Brotzel
Finishing a book sounds like hard enough work when there’s just one of you. Can working with someone else really help? Yes! says Dan Brotzel, who’s recently launched a novel he wrote with two pals. Here’s the why and the how…
The SFWA minimum payment rate for professional short fiction markets is now eight cents per word. In accordance with our mission to support and empower science fiction and fantasy writers, SFWA periodically reviews and adjusts the minimum payment rate for professional short fiction markets (known colloquially as the SFWA pro rate). On January 16, 2019, […]
Astrid’s family has just moved to a remote motel in Wisconsin. After her parents disappear there, Astrid and two new friends start investigating. They quickly discover that the inn is an epicenter for time travel research gone very, very wrong.
J.S. Dewes is an author & filmmaker who has written scripts for award-winning films which have screened at San Diego Comic-Con and dozens of film festivals across the nation. Her debut sci-fi novel THE LAST WATCH is out April 20, 2021 from Tor Books.
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