by Dan Brotzel
Many writers find it difficult to talk about money, especially if it means asking for more and potentially risking turning down an offer of publication. But writing is a business as well as a passion, and the more cash you can secure for it, the more time you’ll be able to devote to your craft. Here are a few pointers on how to approach the dark art of negotiation…
by Setsu Uzumé
From Kickstarter to ko-fi to patreon, the search for funding can be a huge challenge. I recently attended a lecture provided by the St. Louis chapter of the Volunteer Lawyers and Accountants for the Arts on the subject of applying for grants. Some of the most basic hurdles include finding grants that might be a good fit for your work, and how to prepare your materials in a way to make it easy for the folks reading your submission.
by Alice Speilburg
At the pre-publication stage, as you’re drafting queries and sending off sample pages, an editor at a publishing house and a literary agent seem to serve the same purpose: to legitimize your claim as a professional author, and to set you on the path to publication.
by Dan Brotzel
Genuine idea theft and plagiarism are complete no-nos, of course. But I’m amazed how protective writers of stories, articles and posts can be about ideas that aren’t really worth stealing. Here are a few thoughts on ideation and originality…
by Daniel Brotzel
Finishing a book sounds like hard enough work when there’s just one of you. Can working with someone else really help? Yes! says Dan Brotzel, who’s recently launched a novel he wrote with two pals. Here’s the why and the how…
The SFWA minimum payment rate for professional short fiction markets is now eight cents per word. In accordance with our mission to support and empower science fiction and fantasy writers, SFWA periodically reviews and adjusts the minimum payment rate for professional short fiction markets (known colloquially as the SFWA pro rate). On January 16, 2019, […]
by Alan Bailey
Podcasters generally have a mixed reputation. Why? I’m not totally sure. Perhaps it’s because the entry fee is low, and anyone with an opinion can put it out there. The sheer number of podcasts doesn’t help either. So, how do you know which are worthwhile?
by Deborah Walker
Productivity gurus love routine and habit. They say you should have a regular bedtime and a regular time to wake up. I don’t do that. But I am an early riser and no stranger to 5 am. It should have been easy for me to test this productivity habit.
by Ellis Cube,
Right now, IP (intellectual property) is everything in Hollywood, and by “everything” I mean its validation—both their and your proof of concept. If your novel draws attention or builds up a sizeable audience, executives/investors will feel more comfortable spending their money on adapting what you’ve created, and they’ll come to you.
by Catherine Lundoff
“You should go to this – it’ll be good for your career” is a phrase that you’ll hear more than once as you start getting published. The phrase gets applied to conventions, conferences, writing workshops, book festivals and classes, just to name a few things. The “good for your career part” can refer to networking opportunities, the chance to meet editors and agents, some opportunity to gain new readership like doing a reading or being on a panel, or honing your craft.
A member of an elite Special Forces team, half-alien Helga faces incredible odds as she encounters horrific dangers on the moon of Dyn after a mission gone wrong.
Deborah J. Ross is a former SFWA Secretary and member of Book View Cafe. Recent work includes THUNDERLORD, Lambda Finalist COLLABORATORS, and THE SEVEN-PETALED SHIELD trilogy, and stories in F & SF, Asimov’s, and Star Wars: Tales from Jabba’s Palace.
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