by Ellis Cube,
Right now, IP (intellectual property) is everything in Hollywood, and by “everything” I mean its validation—both their and your proof of concept. If your novel draws attention or builds up a sizeable audience, executives/investors will feel more comfortable spending their money on adapting what you’ve created, and they’ll come to you.
by Catherine Lundoff
“You should go to this – it’ll be good for your career” is a phrase that you’ll hear more than once as you start getting published. The phrase gets applied to conventions, conferences, writing workshops, book festivals and classes, just to name a few things. The “good for your career part” can refer to networking opportunities, the chance to meet editors and agents, some opportunity to gain new readership like doing a reading or being on a panel, or honing your craft.
by KJ Kabza
A legitimate publisher approaching an author, rather than the other way around, is both very flattering and very rare. But because of its rarity, the experience had a downside: I had been convinced it could never happen to me, so I was not ready in case it did.
by Ethan Ellenberg
Now we are in a whole new world. There are different ways to be published and author incomes are coming from a far wider range of sources. The standard book agreement that routinely grants the mainstream book publisher a license for the ‘term of copyright’ has to be re-considered.
by R J Theodore
I was unprepared for the wall of celebration, creativity, and acceptance I felt when I walked into the midst of a crowd of storytellers at my first SFWA Nebula Conference in 2017.
By Michael Michel
Regardless of where you end up on the journey known as being a writer, my guess is you want to enjoy the experience. Here’s my recommendation: focus more on the crafter than the craft. As the crafter, you are the instrument through which creativity flows and stories are shared with the world. If you want to be successful, start writing the story you’d love for yourself, first.
by Paul Jessup
It seems to happen every single time I work on something larger than a novella. The minute I finish it, it seems like all of my creativity for fiction dries up.
by Paul Jessup
It will probably happen to you. Almost every career for a professional writer hits a snag at some point. Usually after a huge burst of activity and a feeling of momentum, of going somewhere. It comes out of nowhere, out of left field.
by Jeffe Kennedy
It’s apropos that “Lonen’s War,” book one in my Fantasy Romance series, “Sorcerous Moons,” is featured in the first SFWA Fantasy StoryBundle. That’s because the fantastically smart and helpful folks in SFWA helped me out with a worldbuilding challenge.
By Anatoly Belilovsky
Dear Editor,
Submitted herewith for your kind consideration is “My Little Tale,” a flash piece of 750 words. The author, a SFWA member, hopes you find it suitable for publication in “Awesome Stories.”
Publishers Lunch Buzz Books 2019 Selection
“An emotional story of familial love, tension, and mistrust among three sisters and three brothers . . . devastated by conquest and fanaticism.”—Publishers Weekly
(Addicted to Heaven, Book 1)
Alex is a writer, translator, & editor from Brooklyn, NY. Over 120 of his short stories have appeared in Analog, Nature, Strange Horizons, and other venues. His debut novel, Eridani’s Crown, is forthcoming in October 2019 from UFO Publishing.
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