by Alice Speilburg Nearly every summer, I bring on an intern for the agency, and each week we cover a different publishing topic, focusing on traditional publishing paths in the US. When we get to author payment structures—advances and royalties—I start with a theoretical explanation. An advance is intended to cover an author’s expenses while […]
by Matthew Broberg-Moffitt If you are a writer and an avid Twitter user, you may be familiar with the term #OwnVoices and pitch events such as #PitMad and #DVPit. There is some measure of controversy in the writing community regarding the use of the #OwnVoices qualifier. The term was originally coined by writer Corinne […]
by Gillian Polack It’s suddenly harder to make a living as a writer. It was never easy. Setsu Uzumé recently wrote on the possibility of obtaining grants from regional or local governments. This article will walk you through some of the steps to get a local or regional government grant. I am Australian, so […]
by Karintha Parker (This article originally appeared in The SFWA Bulletin #215.) Like so many others connected to this [small-yet-all-consuming] publishing industry, books were my first love. Legend has it that a tiny version of me set eyes on my first library and yelped “oh, Mommy, all these books are for me?!”, convinced that somehow […]
by Evan Winter (This article originally appeared in The SFWA Bulletin #215.) Not long ago, I was asked where traditional publishing spaces are failing self-published writers, and I think I may have an answer: everywhere. This is because traditional publishing spaces aren’t structured in form or objectives to value the needs of self-published writers and […]
We know what you’re thinking. As soon as you saw that scary word—legacy—your brain turned left at Albuquerque and kept going: “I’m too young to die!”[1] “I’ll think about that tomorrow, because tomorrow is another day.”[2] “Not now, Elaine. Not now! Can’t you see I’m talking to the Man?”[3] The Legacy Kit was created in […]
by Jeffe Kennedy As part of the writing and reading community, we all end up recommending books. Sometimes we stumble upon a request and can’t resist replying. Other times, we get tagged in a request—someone will tweet “I love @jeffekennedy’s books, but I’ve read them all. What else can I read like those?” Sometimes the […]
by J. Scott Coatsworth This article continues J. Scott Coatsworth’s interviews and compilation of information examining how SF/F magazines are faring during the COVID-19 crisis. Amazing Stories, Analog, Asimov’s, Beneath Ceaseless Skies, Clarkesworld, Escape Artists, Fantasy & Science Fiction, Fireside Magazine, Fiyah Lit Mag, and Strange Horizons responded to Coatsworth’s inquiries. Most of these responses […]
by J. Scott Coatsworth I was in the annual SFWA business meeting a few weeks ago when someone asked how SF/F magazines were faring through the COVID-19 crisis. SFWA President Mary Robinette Kowal asked for a volunteer to check things out. I raised my hand, and when SFWA gave me the go-ahead, I sat down […]
by Cat Rambo,
I’ve talked about how to work with a mentor previously, so I wanted to follow-up on that by talking about something that overlaps a bit with that: asking for favors.
As an unlikely found-family flees toward Galveston, a psychic young girl bonds with Charlie Fish, an enigmatic gill-man. Meanwhile, they are pursued by bounty hunters determined to profit from the spectacle of Charlie.
Adele Gardner (they/them, Mx.) is a fiction writer & award-winning poet with a poetry collection, Halloween Hearts, from Jackanapes Press and over 475 stories, poems, art, and articles in Analog, Clarkesworld, Strange Horizons, PodCastle, & more.
